The Materiality of Terracotta Sculpture in Early Modern Europe (eBook, ePUB)

Redaktion: Sarnecka, Zuzanna; Dziki, Agnieszka

• Format: ePub

Produktbeschreibung

Through meticulously researched case studies, this book explores the materiality of terracotta sculpture in early modern Europe.

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Produktdetails

• Verlag: Taylor & Francis eBooks
• Seitenzahl: 284
• Erscheinungstermin: 31. Juli 2023
• Englisch
• ISBN-13: 9781000903997
• Artikelnr.: 68330526

Autorenporträt

Zuzanna Sarnecka is an Assistant Professor in the Institute of Art History at the University of Warsaw. Agnieszka Dziki is a PhD candidate in Art History at the University of Warsaw, Poland and the University of Cologne, Germany.

Inhaltsangabe

Introduction: Materiality, Scale, and Status of Early Modern Terracotta
Part I: Material Migrations 1. Materiality as Incentive to Stylistic
Innovation in Earthenware from Bergen op Zoom (15th-16th century) 2. Making
a Virtue out of a Necessity: Lorenzo Mercadante's Use of Terracotta in
Seville Cathedral 3. Episodes of the Arts of Fire in Portugal during the
Renaissance Part II: Terracotta and Design 4. Hans Reichle's Contribution
to the Practice of Terracotta Sculpture in Tyrol 5. Luca della Robbia's
Labors in Terracotta 6. Clay Models in Verrocchio's Workshop 7. The Primacy
of Terracotta. Sculptures for Painting in Sixteenth-Century Renaissance
Florence Part III: Mimetic Ventures 8. Glazed Ornament between Architecture
and Altarpieces: Luca and Andrea della Robbia in Impruneta and Pescia 9.
The Transformation of Della Robbia Garland Frames: From Luca through
Giovanni's Antinori Resurrection 10. Face, Surface, Interface. Some
Observations on Polychrome Florentine Terracotta Busts 11. Antonio
Begarelli and Small-Scale Terracotta Sculpture Part IV: Contexts and Values
12. Della Robbia Sculptures for Florentine Renaissance Convents 13. "Ut
firmetur quod formatum est" Augustinian Terracottas, and a Note on Two
Sculptures from the Budapest Museum of Fine Arts 14. The Papal Clay: Firing
Terracotta Sculptures in Sixteenth-Century Rome 15. Exceeding Expectations:
Antonio Begarelli, His Female Patrons, and the Misunderstood Materialities
of White Terracotta 16. Conversation on the Terracotta Sculpture in the
Renaissance: Recollections, Reflections and Proposals