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Wordsworth's 'meanest flower that blows' suggested to him 'thoughts that do often lie too deep for tears'. The lyrics, elegies, songs and ghazals in Mimi Khalvati's book pay attention to things the imagination generally disregards, an attention that is concentrated, intense and unapologetically Romantic. Hers is the true voice of feeling, undeflected by irony or self-deprecation. There is rapture in these poems as well as a tragic sense: nature, childhood, motherhood and family relationships all have a double valency, a give and take, to which Khalvati witnesses with a feeling sharpened by love and grief.…mehr

Produktbeschreibung
Wordsworth's 'meanest flower that blows' suggested to him 'thoughts that do often lie too deep for tears'. The lyrics, elegies, songs and ghazals in Mimi Khalvati's book pay attention to things the imagination generally disregards, an attention that is concentrated, intense and unapologetically Romantic. Hers is the true voice of feeling, undeflected by irony or self-deprecation. There is rapture in these poems as well as a tragic sense: nature, childhood, motherhood and family relationships all have a double valency, a give and take, to which Khalvati witnesses with a feeling sharpened by love and grief.

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Autorenporträt
Mimi Khalvati is a visiting lecturer at Goldsmiths College. She is the author of The Chine, In White Ink, and Mirrorwork.