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  • Format: ePub

What does it mean to be working-class in a middle-class world? Cynthia Cruz shows us how class affects culture and our mental health and what we can do about it -- calling not for assimilation, but for annihilation. In The Melancholia of Class, Cynthia Cruz describes with clarity and precision what class is, its various and often nuanced manifestations, and the violence it inflicts upon the working-class while, simultaneously articulating an alternative to assimilation, which can only mean annihilation. Utilizing Freud's concept of melancholia as a starting point, Cruz examines working-class…mehr

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Produktbeschreibung
What does it mean to be working-class in a middle-class world? Cynthia Cruz shows us how class affects culture and our mental health and what we can do about it -- calling not for assimilation, but for annihilation. In The Melancholia of Class, Cynthia Cruz describes with clarity and precision what class is, its various and often nuanced manifestations, and the violence it inflicts upon the working-class while, simultaneously articulating an alternative to assimilation, which can only mean annihilation. Utilizing Freud's concept of melancholia as a starting point, Cruz examines working-class writers, artists, filmmakers and musicians, looking at the melancholia that ensues when the working-class subject leaves her working-class origins to "become someone," only to find that she loses herself in the process.

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Autorenporträt
Cynthia Cruz is the author of six collections of poems: Dregs, How the End Begins, Wunderkammer, The Glimmering Room, Ruin, and Guidebooks for the Dead. Disquieting: Essays on Silence, a collection of critical essays on marginalization and silence, was published by Book*hug in 2019. Her first work of fiction, a novella, Steady Diet of Nothing, is forthcoming. She teaches at the City College of New York and in the MFA Writing Program at Columbia University.
Rezensionen
"This is a vital book, deeply personal and charged with the kind of wisdom and solidarity that only belongs to those who understand what it feels like to be overlooked and left behind." - Jim Gavin, creator of Lodge 49

"An unprecedented reckoning with class and poverty as it relates to creative life in the modern age. Cruz forges a merciful new footing to state what's long overdue: that many of us have been dying while we write, and that the sorrow of surviving poverty, if at all, is a grief finally named in this courageous and deeply true work." - Ocean Vuong, author of On Earth We're Briefly Gorgeous