In Objet D'art, Sean, an ex-police officer turned pawn shop owner, sits parked at a gas station with photographic evidence of time travel in his hands. Someone on the other side of the station is approaching his car. The identity of the stranger shocks him more than the content of the photographs. Keeping a step ahead of the Secret Service and the local police, Sean finds himself stranded in Paris in 1944, as the Germans are retreating from the city. An emotionless killer named Sands that Sean faced before needs one more priceless work of art to retire comfortably. He has his eye on a Rembrandt that disappeared from Paris during World War II and he'll kill anyone that gets in his way. Sean must race against Sands to find the Rembrandt first. The search lands Sean in the miles of tunnels under Paris without a map or a flashlight. Even with the help of some unlikely allies, Sean may not make it out of 1944 Paris alive.
In Futurity, Sean is back on the Philly police force trying to forget about the man he killed. His name was Sands and he deserved it, but his daughter didn't see it that way. She wants to make Sean pay. Harper is Sean's ally from a dystopian future. She must find the missing photographic evidence of time travel that Sands took and needs Sean's help. As they follow the years-old leads, they receive an anonymous ransom demand; someone wants to trade the photographs for a large sum of money. The only catch is it has to be delivered by the person who killed Sands. The sins of Sean's past may come back to haunt him in a strange and unfamiliar future.
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