In Memorabilia, Sean's firing from the Philadelphia Police Department for misconduct still troubled him but was ancient history now that he co-owned a pawn shop in Atlantic City. When Elyse, the beautiful memorabilia collector, walked through the door, she was searching for historic photographs of the D-Day landings. It was no coincidence that Sean's grandfather was one of the few men on Omaha Beach that day shooting with a camera instead of a gun. Sean knew the urban legend of his missing photographs, but her story about them pointing to a cache of valuable Nazi jewels was new. Using subtle clues left by Sean's grandfather, they must stay two steps ahead of the Secret Service agents on Elyse's trail as they dig through his grandfather's past. But when a picture from 1944 shows up with Elyse standing next to General Dwight D. Eisenhower, she tells him a story he can't believe. Is it a lie to get what she wants? For Sean, it's not about the jewels anymore; it's about the connection to his grandfather and finding out the truth.
In Objet D'art, Sean, an ex-police officer turned pawn shop owner, sits parked at a gas station with photographic evidence of time travel in his hands. Someone on the other side of the station is approaching his car. The identity of the stranger shocks him more than the content of the photographs. Keeping a step ahead of the Secret Service and the local police, Sean finds himself stranded in Paris in 1944, as the Germans are retreating from the city. An emotionless killer named Sands that Sean faced before needs one more priceless work of art to retire comfortably. He has his eye on a Rembrandt that disappeared from Paris during World War II and he'll kill anyone that gets in his way. Sean must race against Sands to find the Rembrandt first. The search lands Sean in the miles of tunnels under Paris without a map or a flashlight. Even with the help of some unlikely allies, Sean may not make it out of 1944 Paris alive.
In Futurity, Sean is back on the Philly police force trying to forget about the man he killed. His name was Sands and he deserved it, but his daughter didn't see it that way. She wants to make Sean pay. Harper is Sean's ally from a dystopian future. She must find the missing photographic evidence of time travel that Sands took and needs Sean's help. As they follow the years-old leads, they receive an anonymous ransom demand; someone wants to trade the photographs for a large sum of money. The only catch is it has to be delivered by the person who killed Sands. The sins of Sean's past may come back to haunt him in a strange and unfamiliar future.
In Objet D'art, Sean, an ex-police officer turned pawn shop owner, sits parked at a gas station with photographic evidence of time travel in his hands. Someone on the other side of the station is approaching his car. The identity of the stranger shocks him more than the content of the photographs. Keeping a step ahead of the Secret Service and the local police, Sean finds himself stranded in Paris in 1944, as the Germans are retreating from the city. An emotionless killer named Sands that Sean faced before needs one more priceless work of art to retire comfortably. He has his eye on a Rembrandt that disappeared from Paris during World War II and he'll kill anyone that gets in his way. Sean must race against Sands to find the Rembrandt first. The search lands Sean in the miles of tunnels under Paris without a map or a flashlight. Even with the help of some unlikely allies, Sean may not make it out of 1944 Paris alive.
In Futurity, Sean is back on the Philly police force trying to forget about the man he killed. His name was Sands and he deserved it, but his daughter didn't see it that way. She wants to make Sean pay. Harper is Sean's ally from a dystopian future. She must find the missing photographic evidence of time travel that Sands took and needs Sean's help. As they follow the years-old leads, they receive an anonymous ransom demand; someone wants to trade the photographs for a large sum of money. The only catch is it has to be delivered by the person who killed Sands. The sins of Sean's past may come back to haunt him in a strange and unfamiliar future.
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