Meanwhile, several characters at the local college are struggling to define the college's role in the mill fight and to rescue the soul of higher education. John Harlan is an instructor attempting to write a meaningful dissertation that won't threaten his chances at tenure; Ernest Guppy's notion of himself as a political comic is driving his wife off the deep end; and college president Baxter McAdam and his administrative vice president are locked in a withering campaign to force each other out of power.
The novel's setting, a fictional county in upstate New York, is like a braided rug: smooth on the top, all knots underneath. Chained to a dying farm economy and losing its youth to greener pastures, it's the sort of place where refugees from Brooklyn might live next to Amish farmers, who might live next to Italian millworkers, who might live next to a bigot whose house was once a stop on the Underground Railroad. Like so many rural American communities, it has the feel of a self-inflicted wound, and as Kenny comes to understand, sometimes you have to feel pain just to know you're still alive.
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