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“The Miracle of St. Anthony”—whatever the exact date of its writing, and that is a point which the author himself has probably forgotten,—belongs in flavour and spirit, to that early period of the career of the Belgian seer and mystic to which Mr. James Huneker referred when he wrote “There is no denying the fact that at one time Maeterlinck meant for most people a crazy crow, masquerading in tail feathers plucked from the Swan of Avon.” For it was to Shakespeare that he was first compared, though the title “the Belgian Shakespeare” was applied ironically by some, just as later…mehr
“The Miracle of St. Anthony”—whatever the exact date of its writing, and that is a point which the author himself has probably forgotten,—belongs in flavour and spirit, to that early period of the career of the Belgian seer and mystic to which Mr. James Huneker referred when he wrote “There is no denying the fact that at one time Maeterlinck meant for most people a crazy crow, masquerading in tail feathers plucked from the Swan of Avon.” For it was to Shakespeare that he was first compared, though the title “the Belgian Shakespeare” was applied ironically by some, just as later manifestationsof his genius won for him the appellation of “the Belgian Emerson.
Belgian dramatist, poet, and writer Maurice Maeterlinck (1862-1949) wrote in French. He was raised in Ghent, Belgium, and completed his legal studies there before starting to write. Maeterlinck played a significant role in the Symbolist movement, which favored the use of symbols and suggestions above more conventional forms of poetry and literature. The Intruder (1890) and The Blind (1890), two of his first plays, were regarded as breakthrough examples of Symbolist theatre. The drama "The Blue Bird" (1908), which examines themes of happiness and the quest for purpose in life, is Maeterlinck's most well-known composition. Because the play was so popular, it has been transformed into a wide variety of media, including a silent film in 1918 and an animated picture in 1976. Maeterlinck was not just an accomplished dramatist but also a prolific author who covered a broad variety of subjects, such as mysticism, the nature of consciousness, and the philosophy of science. In "The Intelligence of Flowers," his most well-known work, he addresses the notion that plants and flowers possess a certain level of awareness and intellect. The Nobel Prize in Literature was given to Maeterlinck in 1911, making him the first Belgian to do so. His writings had a profound impact on the development of contemporary play and literature, and his theories on consciousness and the natural world are being researched and discussed today.
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