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In 'The Modes of Ancient Greek Music' by D. B. Monro, the reader is taken on a scholarly journey through the intricate world of ancient Greek music. Monro meticulously examines the different modes and scales used by the ancient Greeks, providing detailed analysis and examples of musical compositions. The book is written in a clear and concise style, making it accessible to both music scholars and enthusiasts alike. Monro's work is a valuable contribution to the study of ancient music, shedding light on a lesser-known aspect of Greek culture that has often been overshadowed by philosophy and…mehr

Produktbeschreibung
In 'The Modes of Ancient Greek Music' by D. B. Monro, the reader is taken on a scholarly journey through the intricate world of ancient Greek music. Monro meticulously examines the different modes and scales used by the ancient Greeks, providing detailed analysis and examples of musical compositions. The book is written in a clear and concise style, making it accessible to both music scholars and enthusiasts alike. Monro's work is a valuable contribution to the study of ancient music, shedding light on a lesser-known aspect of Greek culture that has often been overshadowed by philosophy and literature. By exploring the connection between music and poetry, Monro delves into the deeper meaning and significance of musical modes in ancient Greek society. His meticulous research and thorough analysis make this book a must-read for anyone interested in the rich musical heritage of ancient Greece.
Autorenporträt
D. B. Monro was a distinguished classical scholar, known for his significant contributions to the field of Ancient Greek language and literature. Monro was active in the late 19th and early 20th centuries, a period characterized by profound interest in classical philology. He served as the Provost of Oriel College, Oxford, from 1882 to 1905, and his academic endeavors underpin much of our understanding of Homeric and Greek studies. Monro's work 'The Modes of Ancient Greek Music' is considered a foundational text in the study of Greek musicology. Published in 1894, it discusses the theoretical aspects of music as understood in ancient Greece, examining the evidence of the modes and the extent to which music influenced Greek culture and society. This text, rich in analytical examination, remains a valuable resource for scholars interested in ancient Greek music theory and its application in Greek literature. Monro was celebrated for his meticulous research and his ability to synthesize complex ideas into clear and informative prose, which enabled a wider audience to appreciate the nuances of ancient Greek culture. His scholarly style was marked by precision and thoroughness, reflecting the high standards of classical study during his time.