At the centre of the collection, the long title-poem interweaves material from two pregnancies spanning two generations: these months open themselves up to insecurities and dreams, culture, myths, everyday realities and moments of fear or delight. The two births that end this compelling narrative take the book in a new direction, to a time and place where it is possible to stand still and watch a saucepan drying on a draining-board or cycle round a mountainous island at age sixty, laugh at oneself, or even begin again.
'Wicks can be both a fearless and arrestingly tender kind of writer, unafraid of taking a thought into uncomfortable, raw or unexpected places... confessions and punishments, banishments and betrayals, all are rendered in the mouths of the past or looked at from the aftermath of the present. Seeming to rise darkly in pitch at the end of the collection, they adjust our sense of the easier poems, and further deepen the focus of this mysterious and powerful book.' - Paul Farley, PBS Bulletin, on House of Tongues
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