The most famous theatrical doctrines may not be ignorant of the educated majority of readers, especially those involved in theater and literary studies... but the general reader, the spectator in theater and cinema... and the reader who hears about these doctrines but does not know what they are... these are the readers who make up the vast majority of readers from They have the right to become acquainted with these doctrines, to become acquainted with them, and to gain a correct idea from them that will educate them and help them correctly appreciate any play they witness, especially appreciation. The idea on which this play is based, and criticism of its artistic construction and the theatrical doctrine that the author chose in creating it.
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