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"By far the most accomplished and affecting work from the gifted Mr. Guirgis, a prolific and erratic chronicler of marginal lives." The New York Times
"The lifeblood of Guirgis's dialogue is the most expressive cursing since Shakespeare." The Guardian
As an expert in the art of blurring lines, Stephen Adly Guirgis is known for projects that are at once comically poignant and dramatically raucous. Following the recently rehabilitated drug dealer Jackie, trying to improve his life after being paroled, The Motherfucker with the Hat (Guirgis's first on Broadway) examines the fragile…mehr

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"By far the most accomplished and affecting work from the gifted Mr. Guirgis, a prolific and erratic chronicler of marginal lives."The New York Times

"The lifeblood of Guirgis's dialogue is the most expressive cursing since Shakespeare."The Guardian

As an expert in the art of blurring lines, Stephen Adly Guirgis is known for projects that are at once comically poignant and dramatically raucous. Following the recently rehabilitated drug dealer Jackie, trying to improve his life after being paroled, The Motherfucker with the Hat (Guirgis's first on Broadway) examines the fragile line between ignited passions and the struggle to remain clean in the underbelly of New York City. With expressive dialogue and a captivating story, Guirgis's widely-acclaimed play delves into the challenges of pride, self-transformation, and the intricacies of love in a lower-class world. This volume also includes the acclaimed one-act play Dominica: The Fat Ugly Ho.

Stephen Adly Guirgis's other plays include Jesus Hopped the 'A' Train, Our Lady of 121st Street, In Arabia We'd All Be Kings, The Last Days of Judas Iscariot, The Little Flower of East Orange, Den of Thieves, and Race Religion Politics. His play Between Riverside and Crazy won the Pulitzer Prize for Drama in 2015. He is a former co-artistic director of LABryinth Theater Company. He received the Yale Wyndham-Campbell Prize, a PEN/Laura Pels Award, a Whiting Award and a fellowship from TCG in 2004.

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Autorenporträt
Stephen Adly Guirgis is a member and former co-artistic director of LAByrinth Theater Company, and the 2015 winner of the Pulitzer Prize for Drama. His plays have been produced on five continents and throughout the United States. They include Our Lady of 121st Street (Drama Desk, Lucille Lortel, Outer Critics Circle Best Play Nominations), Jesus Hopped the 'A' Train (Edinburgh Festival Fringe First Award, Barrymore Award, Olivier Nomination for London's Best New Play), In Arabia, We'd All Be Kings (2007 LA Drama Critics Best Play, Best Writing Award), The Last Days of Judas Iscariot (10 Best Plays of the Year, Time Magazine & Entertainment Weekly), and The Little Flower of East Orange (with Ellen Burstyn & Michael Shannon). All five plays were directed by Philip Seymour Hoffman and were originally produced by LAByrinth. His Broadway debut, The Motherfucker with the Hat (6 Tony nominations, including Best Play), was directed by Anna D. Shapiro and marked his third consecutive world premiere co-production with The Public Theater and LAByrinth. In London, his plays have premiered at The Donmar Warehouse, The Almeida (dir: Rupert Goold), The Hampstead (Robert Delamere), and at The Arts Theater in the West End. Other plays include Den of Thieves (Labyrinth, HERE, HAI, Black Dahlia) and Dominica The Fat Ugly Ho (dir: Adam Rapp) for the 2006 E.S.T. Marathon. He has received the 2015 Pulitzer Prize for Drama, the Yale Wyndham-Campbell Prize, a PEN/Laura Pels Award, a Whiting Award, and a TCG fellowship. He is also a New Dramatists Alumnae and a member of MCC's Playwright's Coalition, The Ojai Playwrights Festival, New River Dramatists, and Labyrinth Theater Company. As an actor, he has appeared in theater, film and television, including roles in Kenneth Lonergan's film Margaret, Todd Solondz's Palindromes, and Brett C Leonard's Jailbait opposite Michael Pitt. A former violence prevention specialist and H.I.V. educator, he lives in New York City.