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This book explores how Romantic-era England conceptualized its relation to its constituent parts and the larger world through discussions of dancing and theories of dance and performance. As a referent that engaged and constructed the body dance worked to produce an English exceptional body.
This book explores how Romantic-era England conceptualized its relation to its constituent parts and the larger world through discussions of dancing and theories of dance and performance. As a referent that engaged and constructed the body dance worked to produce an English exceptional body.
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Autorenporträt
Kristin Flieger Samuelian is an Associate Professor of English at George Mason University. She is the author of Royal Romances: Sex, Scandal, and Monarchy in Print, 1780-1821 (2010), as well as journal and anthology essays on Dickens, Austen, and Romantic periodicals.
Inhaltsangabe
Introduction: Dance in the Romantic Imagination Chapter 1: Theorizing the Dancing Body Chapter 2: Foreign Dancers in English Space: Theatrical Politics and Political Theatre in Romantic Print Culture Chapter 3: Contending Aesthetics: Austen, Thackeray, and the Rise of the Ballerina Chapter 4: Strange Disorders, Exciting Contagions: Dancing and Disease in the Periodicals Chapter 5: Nationalism, Nostalgia, and English Country Dancing Coda
Introduction: Dance in the Romantic Imagination Chapter 1: Theorizing the Dancing Body Chapter 2: Foreign Dancers in English Space: Theatrical Politics and Political Theatre in Romantic Print Culture Chapter 3: Contending Aesthetics: Austen, Thackeray, and the Rise of the Ballerina Chapter 4: Strange Disorders, Exciting Contagions: Dancing and Disease in the Periodicals Chapter 5: Nationalism, Nostalgia, and English Country Dancing Coda
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