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The Mule-Bone, written by renowned African American poet Langston Hughes, is a satirical play that engages the complexities of race relations and the significance of the cultural heritage of African Americans in the early 20th century. The play follows two friends, Dave and Bones, who enter into a heated debate about which one of them will be able to buy a mule at an auction.
The Mule-Bone, written by renowned African American poet Langston Hughes, is a satirical play that engages the complexities of race relations and the significance of the cultural heritage of African Americans in the early 20th century. The play follows two friends, Dave and Bones, who enter into a heated debate about which one of them will be able to buy a mule at an auction.
James Mercer Langston Hughes (February 1, 1901[1] - May 22, 1967) was an American poet, social activist, novelist, playwright, and columnist from Joplin, Missouri. He moved to New York City as a young man, where he made his career. One of the earliest innovators of the then-new literary art form called jazz poetry, Hughes is best known as a leader of the Harlem Renaissance. He famously wrote about the period that "the negro was in vogue", which was later paraphrased as "when Harlem was in vogue."[2] Growing up in a series of Midwestern towns, Hughes became a prolific writer at an early age. He graduated from high school in Cleveland, Ohio and soon began studies at Columbia University in New York City. Although he dropped out, he gained notice from New York publishers, first in The Crisis magazine, and then from book publishers and became known in the creative community in Harlem. He eventually graduated from Lincoln University. In addition to poetry, Hughes wrote plays, and short stories. He also published several non-fiction works. From 1942 to 1962, as the civil rights movement was gaining traction, he wrote an in-depth weekly column in a leading black newspaper, The Chicago Defender. First published in 1921 in The Crisis - official magazine of the National Association for the Advancement of Colored People (NAACP) - "The Negro Speaks of Rivers", which became Hughes's signature poem, was collected in his first book of poetry The Weary Blues (1926).[47] Hughes's first and last published poems appeared in The Crisis; more of his poems were published in The Crisis than in any other journal.[48] Hughes' life and work were enormously influential during the Harlem Renaissance of the 1920s, alongside those of his contemporaries, Zora Neale Hurston,[49] Wallace Thurman, Claude McKay, Countee Cullen, Richard Bruce Nugent, and Aaron Douglas. Except for McKay, they worked together also to create the short-lived magazine Fire!! Devoted to Younger Negro Artists.
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