work on the Marc Edwards mysteries (twelve titles). The Myth Alive was eventually forgotten. When he took it out for a belated look earlier this year, he found that the subject matter, though many years old, was still relevant today because it deals with questions of a literary/critical nature:
how poems get made, the uses of history in literary works, the evolution of a Canadian mythology, the question of intention and so on. He trusts that they are as relevant today as when they were first written.
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