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By placing comics in a lively dialogue with contemporary narrative theory, The Narratology of Comic Art builds a systematic theory of narrative comics, going beyond the typical focus on the Anglophone tradition.
By placing comics in a lively dialogue with contemporary narrative theory, The Narratology of Comic Art builds a systematic theory of narrative comics, going beyond the typical focus on the Anglophone tradition.
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Autorenporträt
Kai Mikkonen is Associate Professor of Comparative Literature at the University of Helsinki, Finland.
Inhaltsangabe
List of Figures Acknowledgements Introduction: Comics, Narrative, and Medium Part I: Time in Comics 1. Time in Comics Part II: Graphic Showing and Style 2. Narration as Showing 3. Character as a Means of Narrative Continuity 4. Graphic Style, Subjectivity and Narration Part III: Narrative Transmission 5. Narrative Agency (in Jiro Taniguchi's A Distant Neighborhood) 6. Focalisation in Comics 7. Characterisation in Comics Part IV: Speech and Thought in Narrative Comics 8. Presenting Minds in Comics 9. Dialogue in Comics: Medium-specific features and basic narrative functions Part V: Narrative Form and Publication Format 10. Picture Story and Narrative Organisation in Early Nineteenth-Century British 11. Caricature and Comic Strips Afterword Bibliography
List of Figures
Acknowledgements
Introduction: Comics, Narrative, and Medium
Part I: Time in Comics
1. Time in Comics
Part II: Graphic Showing and Style
2. Narration as Showing
3. Character as a Means of Narrative Continuity
4. Graphic Style, Subjectivity and Narration
Part III: Narrative Transmission
5. Narrative Agency (in Jiro Taniguchi's A Distant Neighborhood)
6. Focalisation in Comics
7. Characterisation in Comics
Part IV: Speech and Thought in Narrative Comics
8. Presenting Minds in Comics
9. Dialogue in Comics: Medium-specific features and basic narrative functions
Part V: Narrative Form and Publication Format
10. Picture Story and Narrative Organisation in Early Nineteenth-Century British
List of Figures Acknowledgements Introduction: Comics, Narrative, and Medium Part I: Time in Comics 1. Time in Comics Part II: Graphic Showing and Style 2. Narration as Showing 3. Character as a Means of Narrative Continuity 4. Graphic Style, Subjectivity and Narration Part III: Narrative Transmission 5. Narrative Agency (in Jiro Taniguchi's A Distant Neighborhood) 6. Focalisation in Comics 7. Characterisation in Comics Part IV: Speech and Thought in Narrative Comics 8. Presenting Minds in Comics 9. Dialogue in Comics: Medium-specific features and basic narrative functions Part V: Narrative Form and Publication Format 10. Picture Story and Narrative Organisation in Early Nineteenth-Century British 11. Caricature and Comic Strips Afterword Bibliography
List of Figures
Acknowledgements
Introduction: Comics, Narrative, and Medium
Part I: Time in Comics
1. Time in Comics
Part II: Graphic Showing and Style
2. Narration as Showing
3. Character as a Means of Narrative Continuity
4. Graphic Style, Subjectivity and Narration
Part III: Narrative Transmission
5. Narrative Agency (in Jiro Taniguchi's A Distant Neighborhood)
6. Focalisation in Comics
7. Characterisation in Comics
Part IV: Speech and Thought in Narrative Comics
8. Presenting Minds in Comics
9. Dialogue in Comics: Medium-specific features and basic narrative functions
Part V: Narrative Form and Publication Format
10. Picture Story and Narrative Organisation in Early Nineteenth-Century British
11. Caricature and Comic Strips
Afterword
Bibliography
Rezensionen
"The work embodies the inventive results possible when an adroit theorist explores a burgeoning field. I risk a cliché, although that makes it no less true, in saying: there is much to learn here. I speak especially for those who study comics but suspect the same is true for narratologists more broadly." - Jacob Murel, University of Memphis, Studies in Comics
"The work embodies the inventive results possible when an adroit theorist explores a burgeoning field. I risk a cliché, although that makes it no less true, in saying: there is much to learn here. I speak especially for those who study comics but suspect the same is true for narratologists more broadly."- Jacob Murel, University of Memphis, Studies in Comics
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