For most of us Ernst Dieffenbach, The Naturalist of the novel's title, is a remote name from the earliest years of New Zealand's British settlement. Thanks to Thom Conroy, we can now read of him as the rare and compelling voice of European liberal ideas and of human decency, in a world where racial condescension and the rage for acquisition were the norm. It is a tough and morally dicey mix the narrative so immerses us in, with one man's challenge to the 'pragmatism' of capital and profit. Here is a dense play of characters across three countries, although New Zealand is where the new world is forged, where rational and humane notions of progress are undermined - 'inevitably' one is sadly compelled to say - by a slew of competing colonial demands. As well as a vivid fiction of a period whose long shadow we still live in, The Naturalist is an elegy too for what history loses on the way.
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