Poetic necessity is to preserve the weight of the hair calling for the permissibility of what is not permissible in prose, and it is for the ten most matters of what is in the hair attributed to Zamakhshari: "The necessity of the hair is ten. The cutting is in the connective hamza, for the basic principle in which the connection is to what was before it and may be cut in the poetry, as in the hamzah of the fabrication and others and the connection as in the peremptory hamza, for the basic principle is cut off from what was before it and it may be reached in the poetry as in the hamzah of the door of action. And mitigating as in the tight letter. And emphasize the diluted letter. And tide in the thousand cabin. And the palace in the outstretched thousand. Housing in the mobile. And move in the static. And prevent exchange in the disposal. And the exchange is not distorted.
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