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  • Format: ePub

Sydney Grundy'Äôs "The New Woman" is a provocative exploration of the shifting paradigms surrounding gender roles and societal expectations in the late Victorian era. Through sharp dialogue and a mixture of satire and earnestness, Grundy crafts a narrative that embodies the emerging feminist consciousness of the period. The play, set against the backdrop of England'Äôs evolving social landscape, challenges traditional notions of femininity, illustrating the struggles of its eponymous character as she navigates the constricting norms imposed upon her by a patriarchal society. With its rich…mehr

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Produktbeschreibung
Sydney Grundy'Äôs "The New Woman" is a provocative exploration of the shifting paradigms surrounding gender roles and societal expectations in the late Victorian era. Through sharp dialogue and a mixture of satire and earnestness, Grundy crafts a narrative that embodies the emerging feminist consciousness of the period. The play, set against the backdrop of England'Äôs evolving social landscape, challenges traditional notions of femininity, illustrating the struggles of its eponymous character as she navigates the constricting norms imposed upon her by a patriarchal society. With its rich subtext and clever construction, Grundy'Äôs work serves as both a product of its time and a timeless commentary on gender dynamics. Sydney Grundy, an influential playwright during the late 19th century, was deeply engaged with contemporary social issues, including the women'Äôs rights movement. His literary career was marked by a keen awareness of societal change, which informed his dramatic works. Grundy'Äôs personal experiences and observations of the vibrant debates surrounding the New Woman archetype fueled his desire to dissect and challenge the claims of gender inequality that resonated through his era. "The New Woman" is essential reading for anyone interested in feminist literature, social history, or theatrical innovation. Grundy'Äôs incisive commentary offers valuable insights into both the historical context and the lasting implications for modern discussions of identity and agency. This work not only entertains but also educates, making it a vital addition to any literary collection.

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Autorenporträt
Sydney Grundy (1848-1914) was an English dramatist renowned for his literary contributions during the late Victorian and Edwardian periods. Grundy's forte lay in adapting and localizing French plays for the English stage, a practice that garnered him both acclaim and criticism for the lack of originality. However, it was his skill in the craft of adaptation and his sharp wit that secured his place in the annals of British theatre. His works often reflected the social issues of his time, a characteristic particularly evident in his play 'The New Woman' (1894), which tackled the then-controversial subject of women's rights and societal roles, capturing the essence of the eponymous cultural and feminist movement of the late 19th century. The play is a notable entry in his repertoire, which includes other successes such as 'A Pair of Spectacles' (1890) and his collaboration with Sir Arthur Sullivan on the comic opera 'Haddon Hall' (1892). Grundy's work remains a touchstone for scholars interested in the period's drama and the theatrical depiction of social discourse, his legacy enduring as an illustration of late Victorian melodrama and the evolution of modern theatre.