As usual in adopting the creative revolution in reading and writing, Dr. Amani Fouad, in her book "The Novel and the Liberation of Society," tried to overcome the obstacles that prevent the recipient from appreciating the literary work, bridge the gap between criticism and creativity, confront the literary text critically with a new human logic, and present a new vision for the contemporary fictional text. And calling for special means of artistic treatment that are closely related to its literary and academic character, going beyond the stereotype of traditional criticism, and moving it from being an explanation and interpretation to the philosophy of criticism, which is considered a parallel creativity that enriches the recipient with a deeper understanding of the nature of the literary document that internalizes its intellectual potential through its artistic techniques, through four sections. Literary analysis included sixteen contemporary Egyptian novels. The first section dealt with technology and the question of religion. It traced the manifestations of religious discourse in the contemporary Egyptian novel and monitored the forms of treatment of the sacred, its deconstruction of the stable emotional heritage, and its reflection on the formulation of societal concepts culturally, politically, and socially. The second topic is entitled "Technology and the Question of Virtual Reality and Fantasy," the third is "Novelistic Technology and the Question of History," and the last is "Novelistic Technology and the Question of Language and Narration."
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