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Svetlana Boym writes a new genealogy of modernity, moving beyond older debates between modernism and postmodernism to focus on the intersection of art, architecture, technology, and philosophy in the early twenty-first century. Drawing on theories of Georg Simmel, Henri Bergson, Aby Warburg, and Jacques Derrida, Boym presents the off-modern as an eccentric, self-questioning, anti-authoritarian perspective with roots in the Russian avant-garde, now developed in surprising ways by contemporary artists, architects, and curators around the world. She illustrates the off-modern in discussions of…mehr
Svetlana Boym writes a new genealogy of modernity, moving beyond older debates between modernism and postmodernism to focus on the intersection of art, architecture, technology, and philosophy in the early twenty-first century. Drawing on theories of Georg Simmel, Henri Bergson, Aby Warburg, and Jacques Derrida, Boym presents the off-modern as an eccentric, self-questioning, anti-authoritarian perspective with roots in the Russian avant-garde, now developed in surprising ways by contemporary artists, architects, and curators around the world. She illustrates the off-modern in discussions of (and with) figures as diverse as architect Rem Koolhaas, Albanian artist-turned-mayor Edi Rama, an art collective in Delhi, and the creator of the Museum of Jurassic Technology in Los Angeles. Both a manifesto and a memoir, The Off-Modern often returns to themes of travel and immigration, exploring issues of diasporic intimacy and productive estrangement amid nostalgic landscapes of urban ruins.
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Autorenporträt
Svetlana Boym was a literary critic, visual artist, writer of fiction, and Hugo Reisinger Professor of Slavic and Comparative Literature at Harvard University, USA. Her books include Death in Quotation Marks, Common Places, The Future of Nostalgia, Another Freedom and The Off-Modern. Her artworks were exhibited in New York, Berlin, Ljubljana, Glasgow, Copenhagen, Kaunas, and Cambridge. She lectured and performed in Freud's Museum in Vienna, in the New York Artists' Space, at the MoMA, Vienna Kunsthalle, The Carpenter Center for Visual Arts, La Maison de Sciences de l'Homme, Paris, and Moscow ICA.
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