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R. A. Streatfeild's 'The Opera' is a compelling exploration of the world behind the curtains of a grand opera house. The book delves into the lives of various characters involved in the production of an opera, providing a vivid and intricate portrayal of their struggles and triumphs. Streatfeild's literary style is characterized by its attention to detail and immersive storytelling, allowing readers to fully immerse themselves in the drama and intricacies of the opera world. Set against the backdrop of the opera stage, the book offers a fascinating insight into the creative process and…mehr

Produktbeschreibung
R. A. Streatfeild's 'The Opera' is a compelling exploration of the world behind the curtains of a grand opera house. The book delves into the lives of various characters involved in the production of an opera, providing a vivid and intricate portrayal of their struggles and triumphs. Streatfeild's literary style is characterized by its attention to detail and immersive storytelling, allowing readers to fully immerse themselves in the drama and intricacies of the opera world. Set against the backdrop of the opera stage, the book offers a fascinating insight into the creative process and interpersonal dynamics of the characters. 'The Opera' is a captivating read that combines elements of drama, romance, and intrigue, making it a must-read for fans of both opera and literary fiction. R. A. Streatfeild's deep knowledge of the opera world shines through in this masterful work, making it a standout in the realm of operatic literature.
Autorenporträt
Richard Alexander Streatfeild (22 June 1866 - 6 February 1919) was a musicologist and critic from England. He worked in the British Museum, although not in the music section. His works included opera, Handel, and modern music books. He had literary interests and arranged for his buddy Samuel Butler's The Way of All Flesh to be published posthumously. Streatfeild was born in Carshalton, Surrey, the son of Southern African diplomat Frank Newton Streatfeild. He attended Oundle and Pembroke College, Cambridge, where he earned a degree in Classics. From 1889 until his death, he worked at the British Museum's Department of Printed Books. From 1898 until 1902, he was also The Daily Graphic's music critic. He contributed often to English and international magazines. Although Streatfeild never worked at the British Museum's musical section, music was his primary passion. He was a fan of contemporary music as well as Handel's work. Masters of Italian Music (1895), his first book, was a study of Verdi, Boito, and subsequent composers such as Puccini. Alec Hyatt-King said in the Grove Dictionary of Music and Musicians (2014), "Streatfeild's book on Handel, though old-fashioned in some ways, is a balanced and penetrating study that is still valuable."