The Operas of Rameau (eBook, PDF)
Genesis, Staging, Reception
Redaktion: Sadler, Graham; Williams, Jonathan; Thompson, Shirley
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The Operas of Rameau (eBook, PDF)
Genesis, Staging, Reception
Redaktion: Sadler, Graham; Williams, Jonathan; Thompson, Shirley
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The present volume, devoted solely to the composer's operas, reflects this scholarly activity. It brings together a substantial group of essays by an international team of scholars on a wide range of aspects of Rameau's operas.
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The present volume, devoted solely to the composer's operas, reflects this scholarly activity. It brings together a substantial group of essays by an international team of scholars on a wide range of aspects of Rameau's operas.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 340
- Erscheinungstermin: 9. September 2021
- Englisch
- ISBN-13: 9781317022305
- Artikelnr.: 62537154
- Verlag: Taylor & Francis
- Seitenzahl: 340
- Erscheinungstermin: 9. September 2021
- Englisch
- ISBN-13: 9781317022305
- Artikelnr.: 62537154
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Graham Sadler is a research professor at the Royal Birmingham Conservatoire and Emeritus Professor of Music at the University of Hull. Shirley Thompson is Interim Principal of Royal Birmingham Conservatoire. Jonathan Williams is a leading Rameau specialist in Britain and director of the Rameau Project based at St Hilda's College, Oxford.
Part I - Factions and Rivalry
1 A little-known contribution to the Lulliste-Ramiste dispute: Jean Galli Bibiena's Mémoires et aventures de monsieur de *** (1735)
Francesca Pagani
2 Destouches and Collin de Blamont: two surintendants in the face of the Ramiste threat
Françoise Escande and Benoît Dratwicki
3 Rameau versus Mondonville: the construction of a post-Lullian musical identity in France
Thierry Favier
Part II - Librettos: Gestation, Attributions, Interpretation
4 Jean-Philippe Rameau's Art d'aimer: music and eroticism in the Age of Enlightenment
Raphaëlle Legrand
5 Re-assessing attributions to Louis de Cahusac of the librettos of Rameau's Io, Zéphire and Nélée et Mirthis
Thomas Soury
6 The Triumph of Generosity, or 'Let's Make an Opera-Ballet'
Roger Savage
7 New light on the genesis of the ill-fated opera Linus by La Bruère and Rameau
Marie Demeilliez
Part III - Borrowings and Creative Renewal
8 A cluster of allusions to Vivaldi's Le quattro stagioni in Rameau's 'Anacréon' (1757)
Graham Sadler
9 Recreating Rameau: J.-S. Mangot and his role in Parma
Margaret Butler
10 An anonymous Messe des morts on themes by Rameau and Mondonville
Thomas Leconte
11 'Objet d'étude et de curiosité': Candeille's Castor et Pollux and its audiences, 1791-1815
R. J. Arnold
Part IV - Production, Performance and Criticism
12 The impact of human and material contingencies on artistic creation: the case of Rameau's Les Indes galantes
Laura Naudeix
13 Staging time and space in Rameau's tragédies en musique
Lois Rosow
14 Stage sets and music in Rameau's operas
Rémy-Michel Trotier
15 Do Rameau's dances 'impose physical movement'? A collaborative exploration
Rebecca Harris-Warrick and Hubert Hazebroucq
16 Through the Mercure's lens: mid-eighteenth-century acting styles and vocal aesthetics at the Paris Opéra
Thomas Green
Part V - Discography
17 Rameau's operas on disc
Patrick Florentin
1 A little-known contribution to the Lulliste-Ramiste dispute: Jean Galli Bibiena's Mémoires et aventures de monsieur de *** (1735)
Francesca Pagani
2 Destouches and Collin de Blamont: two surintendants in the face of the Ramiste threat
Françoise Escande and Benoît Dratwicki
3 Rameau versus Mondonville: the construction of a post-Lullian musical identity in France
Thierry Favier
Part II - Librettos: Gestation, Attributions, Interpretation
4 Jean-Philippe Rameau's Art d'aimer: music and eroticism in the Age of Enlightenment
Raphaëlle Legrand
5 Re-assessing attributions to Louis de Cahusac of the librettos of Rameau's Io, Zéphire and Nélée et Mirthis
Thomas Soury
6 The Triumph of Generosity, or 'Let's Make an Opera-Ballet'
Roger Savage
7 New light on the genesis of the ill-fated opera Linus by La Bruère and Rameau
Marie Demeilliez
Part III - Borrowings and Creative Renewal
8 A cluster of allusions to Vivaldi's Le quattro stagioni in Rameau's 'Anacréon' (1757)
Graham Sadler
9 Recreating Rameau: J.-S. Mangot and his role in Parma
Margaret Butler
10 An anonymous Messe des morts on themes by Rameau and Mondonville
Thomas Leconte
11 'Objet d'étude et de curiosité': Candeille's Castor et Pollux and its audiences, 1791-1815
R. J. Arnold
Part IV - Production, Performance and Criticism
12 The impact of human and material contingencies on artistic creation: the case of Rameau's Les Indes galantes
Laura Naudeix
13 Staging time and space in Rameau's tragédies en musique
Lois Rosow
14 Stage sets and music in Rameau's operas
Rémy-Michel Trotier
15 Do Rameau's dances 'impose physical movement'? A collaborative exploration
Rebecca Harris-Warrick and Hubert Hazebroucq
16 Through the Mercure's lens: mid-eighteenth-century acting styles and vocal aesthetics at the Paris Opéra
Thomas Green
Part V - Discography
17 Rameau's operas on disc
Patrick Florentin
Part I - Factions and Rivalry
1 A little-known contribution to the Lulliste-Ramiste dispute: Jean Galli Bibiena's Mémoires et aventures de monsieur de *** (1735)
Francesca Pagani
2 Destouches and Collin de Blamont: two surintendants in the face of the Ramiste threat
Françoise Escande and Benoît Dratwicki
3 Rameau versus Mondonville: the construction of a post-Lullian musical identity in France
Thierry Favier
Part II - Librettos: Gestation, Attributions, Interpretation
4 Jean-Philippe Rameau's Art d'aimer: music and eroticism in the Age of Enlightenment
Raphaëlle Legrand
5 Re-assessing attributions to Louis de Cahusac of the librettos of Rameau's Io, Zéphire and Nélée et Mirthis
Thomas Soury
6 The Triumph of Generosity, or 'Let's Make an Opera-Ballet'
Roger Savage
7 New light on the genesis of the ill-fated opera Linus by La Bruère and Rameau
Marie Demeilliez
Part III - Borrowings and Creative Renewal
8 A cluster of allusions to Vivaldi's Le quattro stagioni in Rameau's 'Anacréon' (1757)
Graham Sadler
9 Recreating Rameau: J.-S. Mangot and his role in Parma
Margaret Butler
10 An anonymous Messe des morts on themes by Rameau and Mondonville
Thomas Leconte
11 'Objet d'étude et de curiosité': Candeille's Castor et Pollux and its audiences, 1791-1815
R. J. Arnold
Part IV - Production, Performance and Criticism
12 The impact of human and material contingencies on artistic creation: the case of Rameau's Les Indes galantes
Laura Naudeix
13 Staging time and space in Rameau's tragédies en musique
Lois Rosow
14 Stage sets and music in Rameau's operas
Rémy-Michel Trotier
15 Do Rameau's dances 'impose physical movement'? A collaborative exploration
Rebecca Harris-Warrick and Hubert Hazebroucq
16 Through the Mercure's lens: mid-eighteenth-century acting styles and vocal aesthetics at the Paris Opéra
Thomas Green
Part V - Discography
17 Rameau's operas on disc
Patrick Florentin
1 A little-known contribution to the Lulliste-Ramiste dispute: Jean Galli Bibiena's Mémoires et aventures de monsieur de *** (1735)
Francesca Pagani
2 Destouches and Collin de Blamont: two surintendants in the face of the Ramiste threat
Françoise Escande and Benoît Dratwicki
3 Rameau versus Mondonville: the construction of a post-Lullian musical identity in France
Thierry Favier
Part II - Librettos: Gestation, Attributions, Interpretation
4 Jean-Philippe Rameau's Art d'aimer: music and eroticism in the Age of Enlightenment
Raphaëlle Legrand
5 Re-assessing attributions to Louis de Cahusac of the librettos of Rameau's Io, Zéphire and Nélée et Mirthis
Thomas Soury
6 The Triumph of Generosity, or 'Let's Make an Opera-Ballet'
Roger Savage
7 New light on the genesis of the ill-fated opera Linus by La Bruère and Rameau
Marie Demeilliez
Part III - Borrowings and Creative Renewal
8 A cluster of allusions to Vivaldi's Le quattro stagioni in Rameau's 'Anacréon' (1757)
Graham Sadler
9 Recreating Rameau: J.-S. Mangot and his role in Parma
Margaret Butler
10 An anonymous Messe des morts on themes by Rameau and Mondonville
Thomas Leconte
11 'Objet d'étude et de curiosité': Candeille's Castor et Pollux and its audiences, 1791-1815
R. J. Arnold
Part IV - Production, Performance and Criticism
12 The impact of human and material contingencies on artistic creation: the case of Rameau's Les Indes galantes
Laura Naudeix
13 Staging time and space in Rameau's tragédies en musique
Lois Rosow
14 Stage sets and music in Rameau's operas
Rémy-Michel Trotier
15 Do Rameau's dances 'impose physical movement'? A collaborative exploration
Rebecca Harris-Warrick and Hubert Hazebroucq
16 Through the Mercure's lens: mid-eighteenth-century acting styles and vocal aesthetics at the Paris Opéra
Thomas Green
Part V - Discography
17 Rameau's operas on disc
Patrick Florentin