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Spanning two millennia, The Origins and Ascendancy of the Concert Mass outlines the origins and meanings of the liturgical texts, defines the concert mass, and provides examples that demonstrate composers' gradual appropriation of the genre as a vehicle for personal expression on serious issues.

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Produktbeschreibung
Spanning two millennia, The Origins and Ascendancy of the Concert Mass outlines the origins and meanings of the liturgical texts, defines the concert mass, and provides examples that demonstrate composers' gradual appropriation of the genre as a vehicle for personal expression on serious issues.


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Autorenporträt
Stephanie Rocke is a Research Associate at the University of Melbourne with an ongoing interest in religious and cultural diversity as it is manifested in musical forms and musical activities across time.