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The Oxford Handbook of Children's Film is the most comprehensive study of international children's cinema published to date. Overturning common prejudices that films for children are unworthy of serious attention, it presents nuanced and wide-ranging discussions from senior and junior scholars alike of iconic and neglected productions from Hollywood, Britain, France, Germany, Sweden, Norway, Hungary, Australia, China, Japan, South Korea, India, Iran, Kenya, and several other countries. Featuring contributions by leading scholars in the field, the volume considers a range of issues central to…mehr
The Oxford Handbook of Children's Film is the most comprehensive study of international children's cinema published to date. Overturning common prejudices that films for children are unworthy of serious attention, it presents nuanced and wide-ranging discussions from senior and junior scholars alike of iconic and neglected productions from Hollywood, Britain, France, Germany, Sweden, Norway, Hungary, Australia, China, Japan, South Korea, India, Iran, Kenya, and several other countries. Featuring contributions by leading scholars in the field, the volume considers a range of issues central to the study of children's film, including questions of form and definition; representations of childhood and growing up; music, stardom, and performance; how children's films reflect national identity or serve as vehicles of state ideology and propaganda; the phenomenon of Hollywood 'family entertainment', especially the role of the Disney company; and how children and young people (as well as older audiences) engage with children's film culture. As a whole, the volume makes a substantial contribution to the emerging field of children's film studies, and will be of great interest to scholars of children's media and culture more broadly.
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Autorenporträt
Noel Brown is Senior Lecturer in Film at Liverpool Hope University. He has written several books on aspects of children's film, family entertainment, and animation, including Contemporary Hollywood Animation (2021), The Children's Film: Genre, Nation and Narrative (2017), British Children's Cinema (2016), and The Hollywood Family Film (2012). He is also co-editor of Toy Story: How Pixar Reinvented the Animated Feature (2018) and Family Films in Global Cinema: The World Beyond Disney (2015).
Inhaltsangabe
* List of Illustration * About the Contributors * Introduction: Coming to Terms with Children's Film, Noel Brown * Part I.ENGenre and Form * 1. Exploring Cultural and Social Differences in Defining a Children's Film, Becky Parry * 2. Screening Innocence in Children's Film, Debbie Olson * 3. Screen Adaptations of The Wizard of Oz and Metafilmicity in Children's Film, Ryan Bunch * 4. Children's Films and the Avant-Garde, Bettina Kümmerling-Meibauer * 5. Intertextuality and "Adult" Humour in Children's Film, Sam Summers * 6. Children's Film and the Problematic "Happy Ending," Noel Brown * Part IIENChildren, Childhood, and Growing Up * 7. The Cop and the Kid in 1930s American Film, Pamela Robertson Wojcik * 8. History, Forbidden Games, Children's Play, and Trauma Theory, Ian Wojcik-Andrews * 9. Changing Conceptions of Childhood in the Work of the Children's Film Foundation, Robert Shail * 10. Migrant Children and the "Space Between" in the Films of Angelopoulos, Stephanie Hemelryk Donald * 11. Iranian Cinema and a World through the Eyes of a Child, John Stephens * 12. The American Tween and Contemporary Hollywood Cinema, Timothy Shary * 13. Growing Up on Scandinavian Screens, Anders Lysne * Part IIIENChildren's Film and Performance * 14. Mary Pickford, Alma Taylor, and Girlhood in Early Hollywood and British Cinema, Matthew Smith * 15. Craft and Play in Lotte Reiniger's Fairy-Tale Films, Caroline Ruddell * 16. Disney's Musical Landscapes, Daniel Batchelder * 17. Hayley Mills and the Disneyfication of Childhood, David Buckingham * 18. Danny Kaye as Children's Film Star, Bruce Babington * 19. Real Animals and the Problem of Anthropomorphism in Children's Film, Claudia Alonso-Recarte and Ignacio Ramos-Gay * Part IVENChildren's Cinema, Society, and National Identity * 20. Nation, Identity, and the Larrikin Streak in Australian Children's Cinema, Adrian Schober * 21. Nationalism in Swedish Children's Film and the Case of Astrid Lindgren, Anders Wilhelm Åberg * 22. Unreality, Fantasy, and the Anti-fascist Politics of the Children's Films of Satyajit Ray, Koel Banerjee * 23. Gender, Ideology, and Nationalism in Chinese Children's Cinema, Yuhan Huang * 24. Ethnic and Racial Difference in the Hungarian Animated Features Macskafogó/Cat City (1986) and Macskafogó 2/Cat City 2 (2007), Gábor Gergely * 25. Negotiating East and West When Representing Childhood in Miyazaki's Spirited Away, Katherine Whitehurst * 26. Coming of Age in South Korean Cinema, Sung-Ae Lee * Part V.ENHollywood and Family Audiences * 27. The Walt Disney Company, Family Entertainment, and Global Movie Hits, Peter Krämer * 28. Reading Jason and the Argonauts as a Children's Film, Susan Smith * 29. Hollywood and the Baby Boom Audience in the 1950s and 1960s, James Russell * 30. Don Bluth and the Disney Renaissance, Peter C. Kunze * 31. On "Love Experts," Evil Princes, Gullible Princesses, and Frozen, Amy M. Davis * 32. Hollywood, Regulation, and the "Disappearing" Children's Film, Filipa Antunes * Part VI. Audiences, Engagement, and Participatory Culture * 33. How Children Learn to "Read" Movies, Cary Bazalgette * 34. Star Wars, Children's Film Culture, and Fan Paratexts, Lincoln Geraghty * 35. Norwegian Tween Girls and Everyday Life through Disney Tween Franchises, Ingvild Kvale Sørenssen * 36. A Multimethod Study on Contemporary Young Audiences and Their Film/Cinema Discourses and Practices in Flanders, Belgium, Aleit Veenstra, Philippe Meers, and Daniël Biltereyst * 37. An Empirical Report on Young People's Responses to Adult Fantasy Films, Martin Barker * 38. Disney's Adult Audiences, James R. Mason * Index
* List of Illustration * About the Contributors * Introduction: Coming to Terms with Children's Film, Noel Brown * Part I.ENGenre and Form * 1. Exploring Cultural and Social Differences in Defining a Children's Film, Becky Parry * 2. Screening Innocence in Children's Film, Debbie Olson * 3. Screen Adaptations of The Wizard of Oz and Metafilmicity in Children's Film, Ryan Bunch * 4. Children's Films and the Avant-Garde, Bettina Kümmerling-Meibauer * 5. Intertextuality and "Adult" Humour in Children's Film, Sam Summers * 6. Children's Film and the Problematic "Happy Ending," Noel Brown * Part IIENChildren, Childhood, and Growing Up * 7. The Cop and the Kid in 1930s American Film, Pamela Robertson Wojcik * 8. History, Forbidden Games, Children's Play, and Trauma Theory, Ian Wojcik-Andrews * 9. Changing Conceptions of Childhood in the Work of the Children's Film Foundation, Robert Shail * 10. Migrant Children and the "Space Between" in the Films of Angelopoulos, Stephanie Hemelryk Donald * 11. Iranian Cinema and a World through the Eyes of a Child, John Stephens * 12. The American Tween and Contemporary Hollywood Cinema, Timothy Shary * 13. Growing Up on Scandinavian Screens, Anders Lysne * Part IIIENChildren's Film and Performance * 14. Mary Pickford, Alma Taylor, and Girlhood in Early Hollywood and British Cinema, Matthew Smith * 15. Craft and Play in Lotte Reiniger's Fairy-Tale Films, Caroline Ruddell * 16. Disney's Musical Landscapes, Daniel Batchelder * 17. Hayley Mills and the Disneyfication of Childhood, David Buckingham * 18. Danny Kaye as Children's Film Star, Bruce Babington * 19. Real Animals and the Problem of Anthropomorphism in Children's Film, Claudia Alonso-Recarte and Ignacio Ramos-Gay * Part IVENChildren's Cinema, Society, and National Identity * 20. Nation, Identity, and the Larrikin Streak in Australian Children's Cinema, Adrian Schober * 21. Nationalism in Swedish Children's Film and the Case of Astrid Lindgren, Anders Wilhelm Åberg * 22. Unreality, Fantasy, and the Anti-fascist Politics of the Children's Films of Satyajit Ray, Koel Banerjee * 23. Gender, Ideology, and Nationalism in Chinese Children's Cinema, Yuhan Huang * 24. Ethnic and Racial Difference in the Hungarian Animated Features Macskafogó/Cat City (1986) and Macskafogó 2/Cat City 2 (2007), Gábor Gergely * 25. Negotiating East and West When Representing Childhood in Miyazaki's Spirited Away, Katherine Whitehurst * 26. Coming of Age in South Korean Cinema, Sung-Ae Lee * Part V.ENHollywood and Family Audiences * 27. The Walt Disney Company, Family Entertainment, and Global Movie Hits, Peter Krämer * 28. Reading Jason and the Argonauts as a Children's Film, Susan Smith * 29. Hollywood and the Baby Boom Audience in the 1950s and 1960s, James Russell * 30. Don Bluth and the Disney Renaissance, Peter C. Kunze * 31. On "Love Experts," Evil Princes, Gullible Princesses, and Frozen, Amy M. Davis * 32. Hollywood, Regulation, and the "Disappearing" Children's Film, Filipa Antunes * Part VI. Audiences, Engagement, and Participatory Culture * 33. How Children Learn to "Read" Movies, Cary Bazalgette * 34. Star Wars, Children's Film Culture, and Fan Paratexts, Lincoln Geraghty * 35. Norwegian Tween Girls and Everyday Life through Disney Tween Franchises, Ingvild Kvale Sørenssen * 36. A Multimethod Study on Contemporary Young Audiences and Their Film/Cinema Discourses and Practices in Flanders, Belgium, Aleit Veenstra, Philippe Meers, and Daniël Biltereyst * 37. An Empirical Report on Young People's Responses to Adult Fantasy Films, Martin Barker * 38. Disney's Adult Audiences, James R. Mason * Index
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