The Oxford Handbook of Jewish Music Studies (eBook, ePUB)

Redaktion: Frühauf, Tina

• Format: ePub

Produktbeschreibung

The Oxford Handbook of Jewish Music Studies is the most comprehensive and expansive critical handbook of Jewish music published to date. It is the first endeavor to address the diverse range of sounds, texts, archives, traditions, histories, geographic and political contexts, and critical discourses in the field. The thirty-one experts from thirteen countries who prepared the thirty original and groundbreaking chapters in this handbook are leaders in the disciplines of musicology and Jewish studies as well as adjacent fields. Chapters in the handbook provide a broad coverage of the subject area with considerable expansion of the topics that are normally covered in a resource of this type. Designed around eight distinct sections -- Land, City, Ghetto, Stage, Sacred and Ritual Spaces, Destruction / Remembrance, and Spirit -- the range and scope of The Oxford Handbook of Jewish Music Studies most significantly suggests a new framework for the study of Jewish music centered on spatiality and taking into consideration temporality and collectivity. Within each chapter, authors have selected what they consider to be the most important material relevant to their topic and, drawing on the most authoritative insights from historical and ethnomusicology, Jewish studies, history, anthropology, philology, religious studies, and the visual arts, have taken a genuinely inter- or transdisciplinary approach. Integrated chapter bibliographies provide material for further reading. Together the chapters form a first truly global look at Jewish music, incorporating studies from Central and East Asia, Europe, Australia, the Americas, and the Arab world. Together they span world history, from antiquity until the present day. As such, the Handbook provides a resource that researchers, scholars, and educators will use as the most important and authoritative overview of work within music and Jewish studies.

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Produktdetails

• Verlag: Oxford University Press
• Seitenzahl: 752
• Erscheinungstermin: 14. November 2023
• Englisch
• ISBN-13: 9780197528648
• Artikelnr.: 69236303

Autorenporträt

Tina Frühauf teaches at Columbia University and serves on the doctoral faculty of The Graduate Center, CUNY. She is the Executive Director of Répertoire International de Littérature Musicale (RILM). Among her recent publications are Transcending Dystopia: Music, Mobility, and the Jewish Community in Germany, 1945-1989 and Dislocated Memories: Jews, Music, and Postwar German Culture (2014, with Lily E. Hirsch), which won the Ruth A. Solie Award and the Jewish Studies and Music Award of the American Musicological Society; as well as Postmodernity's Musical Pasts (2020).

Inhaltsangabe

* 1. Introduction: Mapping Jewish Music Studies, Tina Frühauf
* Part I: Land
* 2. Adamot - Art Music - Israel, Assaf Shelleg
* 3. Land, Voice, Nation: Jewish Music in the Adamot of Al-Andalus,
Vanessa Paloma Elbaz
* 4. "We Shall Sing Songs and Praise to the Lord Who Created Us Last in
the World": Hakham Joseph Hayyim of Baghdad, Leadership with Poetry
and Music, Merav Rosenfeld-Hadad
* Part II: City
* 5. Jewish Refugees from the Nazi State in Shanghai, 1938-1949,
Sophie Fetthauer
* 6. Jewish Émigré Musicians in Buenos Aires: Integration and Cultural
Impact, 1933-1945, Silvia Glocer
* 7. From a City of Greeks to Greeks in a City: Migration and Musical
Taste Cultures between Salonika and Tel Aviv-Jaffa, Oded Erez
* 8. Berlin Klezmer and Urban Scenes, Phil Alexander
* Part III: Ghetto
* 9. Hearing the Ancient Temple in Early Modernity: Abraham Portaleone
and the Cultivation of Music in Seventeenth-Century Mantua, Rebecca
Cypess and Yoel Greenberg
* 10. Sonic Transformations: Urban Musical Culture in the Warsaw
Ghetto, 1940-1942, J. Mackenzie Pierce
* 11. Sounding Out the Ghetto: Spatial Aspects of Jewish Musical Life
during the Nazi Era, Tobias Reichard
* Part IV: Stage
* 12. Hasidic Cantors "Out of Context": Venues of Contemporary
Cantorial Performance, Jeremiah Lockwood
* 13. Jewish Music and Totalitarianism in the Post-Stalinist Soviet
Union, Jascha Nemtsov
* 14. Art Music in the Yishuv and in Early-Statehood Israel, Jehoash
Hirshberg
* 15. The Yiddish Theater Republic of Sounds and the Performance of
Listening, Ruthie Abeliovich
* Part V: Collection
* 16. The YIVO Sound Archive as a Living Space: Archiving and
Revitalizing Klezmer, Eléonore Biezunski
* 17. Jewish Music Sound Recording Collections in the United States,
Judith S. Pinnolis
* 18. Postcustodialism in the Jewish Music Archive, Joseph Toltz
* Part VI: Sacred and Ritual Spaces
* 19. Reimagining Spiritual Experience and Music: Perspectives from
Jewish Worship in the United States, Jeffrey A. Summit
* 20. Sonic Collectivity at the Kotel ha-Ma'aravi (Western Wall),
Abigail Wood
* 21. Singing at the Sabbath Table: Zemiroth as a Family History,
Naomi Cohn Zentner
* 22. Early-Modern Yiddish Wedding Songs: Synchronic and Diachronic
Functions, Diana Matut
* 23. Bukharian Jewish Weddings and Creative Uses of the Central Asian
Past, Evan Rapport
* Part VII: Destruction / Remembrance
* 24. Remembering the Destruction, Re-animating the Collective:
Romaniote Liturgical Music after the Holocaust, Miranda L. Crowdus
* 25. "We Live Forever": Music of the Surviving Remnant in Sweden,
Simo Muir
* 26. "Ferramonti We Do Not Forget": Jews, Music, and Internment in
Italy, Silvia Del Zoppo
* 27. "I Say She Is a Mutriba": Faded Memories of Aleppo's Jewish Women
Musicians, Clara Wenz
* Part VIII: Spirit
* 28. Ultra-Orthodox Women and the Musical Shekhinah: Performance,
Technology, and the Artist in North America, Jessica Roda
* 29. "On a Harp of Ten Strings I Will Sing Praises to You":
Envisioning Women and Music in the Oppenheimer Siddur, Suzanne
Wijsman
* 30. The Concept of Harmony in Pre- and Early Modern Jewish
Literature, Alexandre Cerveux
* Index