The Oxford Handbook of Shakespeare and Dance (eBook, ePUB)

Redaktion: McCulloch, Lynsey; Shaw, Brandon

• Format: ePub

Produktbeschreibung

Shakespeare's texts have a long and close relationship with many different types of dance, from dance forms referenced in the plays to adaptations across many genres today. With contributions from experienced and emerging scholars, this handbook provides a concise reference on dance as both an integral feature of sixteenth- and seventeenth-century culture and as a means of translating Shakespearean text into movement - a process that raises questions of authorship and authority, cross-cultural communication, semantics, embodiment, and the relationship between word and image. Motivated by growing interest in movement, materiality, and the body, The Oxford Handbook of Shakespeare and Dance is the first collection to examine the relationship between William Shakespeare - his life, works, and afterlife - and dance. In the handbook's first section - Shakespeare and Dance - authors consider dance within the context of early modern life and culture and investigate Shakespeare's use of dance forms within his writing. The latter half of the handbook - Shakespeare as Dance - explores the ways that choreographers have adapted Shakespeare's work. Chapters address everything from narrative ballet adaptations to dance in musicals, physical theater adaptations, and interpretations using non-Western dance forms such as Cambodian traditional dance or igal, an indigenous dance form from the southern Philippines. With a truly interdisciplinary approach, The Oxford Handbook of Shakespeare and Dance provides an indispensable resource for considerations of dance and corporeality on Shakespeare's stage and the early modern era.

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Produktdetails

• Verlag: Oxford University Press
• Seitenzahl: 904
• Erscheinungstermin: 28. Januar 2019
• Englisch
• ISBN-13: 9780190873493
• Artikelnr.: 55025497

Autorenporträt

Lynsey McCulloch is Senior Lecturer in English Literature at Coventry University and an Associate Member of its Centre for Dance Research (C-DaRE). She researches the relationship between literature and dance. A dance scholar-practitioner, Brandon Shaw's research interests include literature and dance, early modern European body culture, phenomenology, dance historiography, US Race Studies, and representations of the invisible in dance. He was the inaugural Mellon Postdoctoral Fellow in Dance Studies at Brown University and the recipient of the 2016 Gertrude Lippincott Award for outstanding publication in the field of Dance Studies.

Inhaltsangabe

* Foreword
* Acknowledgements
* List of Contributors
* Introduction
* SECTION I: SHAKESPEARE AND DANCE
* Section Introduction
* 1: Emily Winerock: "The heaven's true figure" or an "introit to all
kin d of lewdness"? Competing Conceptions of Dancing in Shakespeare's
England
* 2: Nona Monahin: Decoding Dance in Shakespeare's Much Ado About
Nothing and Twelfth Night
* 3: Roger Clegg: "When the play is done, you shall have a Jig or dance
of all treads": Danced Endings on Shakespeare's Stage
* 4: Anne Daye: "The revellers are entering": Shakespeare and Masquing
Practice in Tudor and Stuart England
* 5: John R. Ziegler: We Are All Made: The Socioeconomics of The Two
Noble Kinsmen's Anti-Masque Morris Dance
* 6: Lizzie Leopold: The Merchant of Venice's Missing Masque: Absence,
Touch, and Religious Residues
* 7: Brandon Shaw: Shakespeare's Dancing Bodies: The Case of Romeo
* 8: Steven Swarbrick: Dancing with Perdita: The Choreography of Lost
Time in The Winter's Tale
* 9: Florence Hazrat: "The wisdom of your feet": Dance and Rhetoric on
the Shakespearean Stage
* 10: Seth Stewart Williams: [They Dance]: Collaborative Authorship and
Dance in Macbeth
* 11: Evelyn O'Malley: Dancing with the Archive: Early Dance for
Shakespearean Adaptation
* SECTION II: SHAKESPEARE AS DANCE
* Section Introduction
* 12: Susan Jones: Shakespeare, Modernism, and Dance
* 13: Ray Miller: Dance in the Broadway Musicals of Shakespeare:
Balanchine, Holms, and Robbins
* 14: Amy Rodgers: "Thou art translated: Affinity, Emulation, and
Translation in George Balanchine's A Midsummer Night's Dream
* 15: Lynsey McCulloch: "hildings and harlots": Kenneth MacMillan's
Romeo and Juliet
* 16: Shakespeare Ballets in Germany: From Jean-Georges Noverre to John
NeumeierIris Julia Bürle
* 17: Elinor Parsons: "Therefore ha' done with words": Shakespeare and
Innovative British Ballets
* 18: Elizabeth Klett: Measure in Everything: Adapting Hamlet to the
Contemporary Dance Stage
* 19: Jo Butterworth: Hamlet, the Ballet: Examining a Choreographic
Process
* 20: Freya Vass- Rhee: Haunted by Hamlet: William Forsythe's Sider
* 21: Kathrina Farrugia-Kriel: Dancing her Death: Dada Masilo's The
Bitter End of Rosemary (2011) as a South African Contemporary
Rethinking of Hamlet's Ophelia
* 22: Ann E. Mazzocca and Denise Gillman: Embodiment, Reciprocity, and
Reception: Shakespeare Adaptations in a Black Atlantic Context
* 23: James Hewison: Shakespeare and L.O.V.E: Dance and Desire in the
Sonnets
* 24: Linda McJannet: Incorporating the Text: John Farmanesh-Bocca's
Pericles Redux and Crystal Pite's The Tempest Replica
* 25: Sheila T. Cavanagh: "A delightful measure or a dance": Synetic
Theater and Physical Shakespeare
* Appendix 1
* Appendix 2
* Index