Nicholas Zurbrugg

The Parameters of Postmodernism (eBook, PDF)

• Format: PDF

Produktbeschreibung

This ground-breaking work draws upon the authors interviews with leading postmodern artists, including Baudrillard, Beckett, Cage and Glass. It offers a challenging and positive view of postmodern culture.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 172
• Erscheinungstermin: 2. September 2003
• Englisch
• ISBN-13: 9781134845927
• Artikelnr.: 42686824

Autorenporträt

Nicholas Zurbrugg

Inhaltsangabe

Preface
Acknowledgments
Anti-Art or Ante-Art?
Monumental Art or Submonumental Art?
Eagleton and the Apocalyptic Fallacy
Introducing the B-Effect
Introducing the C-Effect
Deploring/Exploring Hyperspace: Jameson and Cage
Stupefaction or Enlivenment?
Benjamin and the Loss of Aura
Barthes
Belsey
and the Death of the Author
Bürger and the Death of the Avant-Garde
Bonito-Oliva
Baudrillard
and the Collapse of the New
Beckett
Brecht
and the Attractions of Antinarrative
Beckett's Poetics of Failure/Brecht's Poetics of Interrogation
Beckett
Brecht
and the Groan of the Text
Warhol and the Grin of the Text
Eagleton
Jameson
and Dehistoricized Culture
Cage
Kostelanetz
and Value Judgments
Jameson
Rauschenberg
and Premature Exasperation
Cage
Rauschenberg
and Ryman
Cage and Consumption
Collective Narrative and the Struggle with Simulacra
Depersonalized Culture or Repersonalized Culture?
Cage and the Antilogic of the Text
Beckett
Cage
and Nothing
Beckett
Cage
and Programmatic Composition
Purposeful Purposelessness or Nothing to Be Done?
Jameson
Bourdieu
and the Destruction of Art and Taste
Chion
Cage
and New Aesthetic Rationales
Postmodernism's Purist Aesthetic
Postmodernism's Hybrid Aesthetic
Feldman
Crazy Contradiction
and the Conceptual
Artistic Life
Pure "H"-Habermas and Communicative Rationality
Beuys
Adorno
and the Silence of Marcel Duchamp
Beuys
Cage
Buchloh
and the B-B-Effect
Jappe
Jameson
and the Concept of Utopia
Bense
Concrete Poetry
and the Dwindling of the Poetic Element
Chopin
Human Vitality
and Technological Civilization
Conz and the New Saints of the Avant-Garde
A Problem in Design: Lax and Mann
Postmodernism at Two Speeds: Hassan
Janco
and Seuphor
Rainer
Robbe-Grillet
Reich
and the Turn to Interobjectivity
Robbe-Grillet and the Re-turn to the Subjective Type of Writing
Rainer and the Re-turn to Identity
Reich and the Re-turn to Historical Realities
Multimedia Art in the Age of Mechanical Reproduction: Gaburo and Ashley
Monk and the Re-turn to Recurrence
Umberto Eco and the Re-turn to the Middle Ages
Grass and the Destruction of Mankind
Grass
Mann
and the Re-turn to Forbidden Literature
Ernst
Carrington
and the Re-turn of Surrealism
Carrington
Cage
Beuys
and the Poetics of Resistance
Cage
Carrington
Barthes
Burroughs
Bense: From Artha to Moksha
Cage
Wolf
and the Re-turn to the Third Alternative
Wolf
Mann
and the Authority of Literary Genres
Müller
Beuys
and the Elevation of the Berlin Wall
Müller
Brecht
and the Petrification of Hope
Müller
Wilson
and the Re-turn to the Classics
Huyssen and the Endgame of the Avant-Garde
Huyssen
Popper
and the Electrification of the Avant-Garde
Buñuel
Breton
Benjamin
Baudrillard
and the Myths of Mechanical Depersonalization
DeLillo
Müller
Lyotard
Kroker
and the Panic Sensibility
Ballard
The Kindness of Women
and Catharsis
Beyond the Disappearance of Value: Anderson and Acker
Toward Effective Communication: Kruger and Holzer
Appropriation
Neutralization
and Reconciliation: Tillers and Johnson
Independent Internationalism: Finlay and Lax
Anderson and American Active Freedom
Glass and Wilson: Alienation Effect or Empathy Effect?
Burroughs
Walker
and the Pattern of Chaos
Beckett
Warrilow
and the Clarity of Spirit
Considered in Diagrammatic Summary: The Phases of Postmodernism
The Modes of Modernism and Postmodernism
Baudrillard or Cage? Degeneration or Affirmation?
Burt
Wendt
and the Positive Parameters of Postmodernism
Index