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The little work now presented to the Public is the first attempt to publish a series of plates or pictures wholly executed by the new art of Photogenic Drawing, without any aid whatever from the artist's pencil. The term "Photography" is now so well known, that an explanation of it is perhaps superfluous; yet, as some persons may still be unacquainted with the art, even by name, its discovery being still of very recent date, a few words may be looked for of general explanation. It may suffice, then, to say, that the plates of this work have been obtained by the mere action of Light upon…mehr

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Produktbeschreibung
The little work now presented to the Public is the first attempt to publish a series of plates or pictures wholly executed by the new art of Photogenic Drawing, without any aid whatever from the artist's pencil. The term "Photography" is now so well known, that an explanation of it is perhaps superfluous; yet, as some persons may still be unacquainted with the art, even by name, its discovery being still of very recent date, a few words may be looked for of general explanation. It may suffice, then, to say, that the plates of this work have been obtained by the mere action of Light upon sensitive paper. They have been formed or depicted by optical and chemical means alone, and without the aid of any one acquainted with the art of drawing. It is needless, therefore, to say that they differ in all respects, and as widely us possible, in their origin, from plates of the ordinary kind, which owe their existence to the united skill of the Artist and the Engraver. They are impressed by Nature's hand; and what they want as yet of delicacy and finish of execution arises chiefly from our want of sufficient knowledge of her laws. When we have learnt more, by experience, respecting the formation of such pictures, they will doubtless be brought much nearer to perfection; and though we may not be able to conjecture with any certainty what rank they may hereafter attain to as pictorial productions, they will surely find their own sphere of utility, both for completeness of detail and correctness of perspective.

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Autorenporträt
William Henry Fox Talbot (1800-1877) stands out as a prominent figure in the history of photography and photochemistry. His pioneering work and intellectual curiosity laid the groundwork for the development of modern photography. Talbot's seminal publication, "The Pencil of Nature" (1844-1846), is the first commercially published book illustrated with photographic images - specifically, with prints from paper negatives, a process he invented known as 'calotype.' His inventive approach to capturing images on paper, which he described as 'photogenic drawing,' represents a foundational shift in visual representation and has played a crucial role in shaping both artistic and scientific disciplines. Talbot's contributions extend beyond photography, including advancements in optics, mathematics, and philology, affirming his status as a polymath of the Victorian era. The influence of his work persists in contemporary discourse, as scholars and photographers alike continue to explore the implications of his techniques and the aesthetic of his imagery. The intersection of science, art, and technology encapsulated in Talbot's legacy continues to resonate in the photographic community, establishing him as a pivotal figure in the history of visual media.