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G. B. Shaw (1856-1950) wrote "The Perfect Wagnerite" as a philosophical examination of Richard Wagner's epic four-opera cycle, "Der Ring des Nibelungen" ("The Ring of the Nibelung"). A tremendously accomplished dramatist himself, Shaw seemed perfectly poised to turn his critical eye on Wagner's 19th century masterpiece. Wagner completed "The Ring" in 1853, after decades of effort. A work of such ambition takes much unpacking, and so Shaw offers us his critique. In his preface, Shaw writes, "All I pretend to do in this book is to impart the ideas which are most likely to be lacking in the…mehr

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Produktbeschreibung
G. B. Shaw (1856-1950) wrote "The Perfect Wagnerite" as a philosophical examination of Richard Wagner's epic four-opera cycle, "Der Ring des Nibelungen" ("The Ring of the Nibelung"). A tremendously accomplished dramatist himself, Shaw seemed perfectly poised to turn his critical eye on Wagner's 19th century masterpiece. Wagner completed "The Ring" in 1853, after decades of effort. A work of such ambition takes much unpacking, and so Shaw offers us his critique. In his preface, Shaw writes, "All I pretend to do in this book is to impart the ideas which are most likely to be lacking in the conventional Englishman's equipment... I venture to add my commentary to what has already been written by musicians who are no revolutionists, and revolutionists who are no musicians". And economic revolution is precisely what G. B. Shaw sees in this opera. Wagner wrote "The Ring" as a young political radical, steeped in the anarchist ideology of his day. Shaw views the opera as a critique of capitalism and industrial revolution. His Marxist reading is not surprising-he was a leading Socialist figure of his time, helping to propel the fledgling Fabian Society into public awareness. Shaw does a great deal here to further the "cult of Wagner" that remains strong today. Entertaining as it is compelling, "The Perfect Wagnerite" stands as a principle commentary on one of opera's most daring compositions.

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Autorenporträt
George Bernard Shaw (1856 -1950) was an Irish playwright. Although Shaw's first profitable writing was music and literary criticism, his talent was for drama, and he authored more than 60 plays. Nearly all of his writings deal sternly with prevailing social problems, but have a vein of comedy to make their stark themes more palatable. Shaw examined education, marriage, religion, government, health care, and class privilege and found them all defective. He was most angered by the exploitation of the working class, and most of his writings censure that abuse. An ardent socialist, Shaw wrote many brochures and speeches for the Fabian Society. He became an accomplished orator in the furtherance of its causes, which included gaining equal political rights for men and women, alleviating abuses of the working class, rescinding private ownership of productive land, and promoting healthful lifestyles. Shaw married Charlotte Payne-Townshend, a fellow Fabian, whom he survived. They settled in Ayot St. Lawrence in a house now called Shaw's Corner. Shaw died there, aged 94, from chronic problems exacerbated by injuries he incurred by falling. He is the only person to have been awarded both the Nobel Prize for Literature (1925) and an Oscar (1938). These were for his contributions to literature and for his work on the film Pygmalion, respectively. Shaw wanted to refuse his Nobel Prize outright because he had no desire for public honors, but accepted it at his wife's behest: she considered it a tribute to Ireland. He did reject the monetary award, requesting it be used to finance translation of Swedish books to English. Other Books of Shaw: . Pygmalion (1913) . Caesar and Cleopatra (1898) . The Devil's Disciple (1897)