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This study explores the overlap of religion and theatre, especially in the crucial area of experience and personal identity. Reconsidering ideas from ancient Greece, pre-modern India, modern Europe, and the recent century, it argues that religious adherents and theatre audiences are largely, themselves, the mechanisms of their experiences.

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Produktbeschreibung
This study explores the overlap of religion and theatre, especially in the crucial area of experience and personal identity. Reconsidering ideas from ancient Greece, pre-modern India, modern Europe, and the recent century, it argues that religious adherents and theatre audiences are largely, themselves, the mechanisms of their experiences.


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Autorenporträt
David Mason is Editor-in-Chief for Ecumenica: Performance and Religion, the South Asia area editor for Asian Theatre Journal, and has been a board member of the Association for Asian Performance. His scholarship on religion and the arts appears in multiple books and journals.