This book draws on postcard collections to access the everyday lives of people who rarely make it into conventional historical narratives, and to make connections in an Irish context between their «small histories» and broader, well-studied discourses such as identity, nationalism, empire, modernity, emigration, tourism and the roles of women.
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«A fresh, lively, and beautifully illustrated investigation of the culture of «picture postcards» and their circulation in early 20th century Ireland. Wilson convincingly argues how these supposedly «ephemeral» objects are anything but: mining a rich (but previously untapped) vein of social history, she explores postcards' relationship to Irish identity, gender, consumption, and class in this fascinating and intelligent account.» (Emily Mark-FitzGerald, Head of School of Art History and Cultural Policy, University College Dublin)