However, Elizabeth Siddal (she later changed the spelling of her name) did not remain a model or muse for 19th century men as she herself became an artist and a poet. Despite a toxic and probably controlling relationship with Dante Gabriel Rossetti, who wouldn't allow her to model for anyone but himself, she made great strides in her own art with his tuition and her talent. Art critic John Ruskin paid her an annual stipend and she was the only woman to exhibit with the Pre-Raphaelites in 1857 where she sold one of her paintings to an American collector.
She created numerous artworks, often inspired by Medieval themes but fewer poems despite the positive reception to her verse. Her poems were sad and often tragic, dwelling on lost or doomed love. They also suggest a strong connection with nature and have a haunting simplicity that is truly compelling.
Elizabeth Siddal had a laudanum addiction which may have contributed to her giving birth to a stillborn in 1861 and from which she never fully recovered. She committed suicide by an overdose the following year whilst pregnant on 11th February 1862. She was 32.
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