Sie sind bereits eingeloggt. Klicken Sie auf 2. tolino select Abo, um fortzufahren.
Bitte loggen Sie sich zunächst in Ihr Kundenkonto ein oder registrieren Sie sich bei bücher.de, um das eBook-Abo tolino select nutzen zu können.
This book offers a new reading of the work of Portuguese filmmaker Pedro Costa. It provides a formal and detailed analysis of his films to suggest that Costa's formal procedures generate a contingency of meaning. The book proposes that Costa's films suggest a critical thinking posited through the materiality of the cinematic medium that is capable of exposing the limits of filmic representation itself. In addition, the author argues that Costa's political gesture derives from the articulation of the intrinsic elements of the filmic medium rather than the depiction of a social reality.
This book offers a new reading of the work of Portuguese filmmaker Pedro Costa. It provides a formal and detailed analysis of his films to suggest that Costa's formal procedures generate a contingency of meaning. The book proposes that Costa's films suggest a critical thinking posited through the materiality of the cinematic medium that is capable of exposing the limits of filmic representation itself. In addition, the author argues that Costa's political gesture derives from the articulation of the intrinsic elements of the filmic medium rather than the depiction of a social reality.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, D ausgeliefert werden.
Die Herstellerinformationen sind derzeit nicht verfügbar.
Autorenporträt
Patrícia Sequeira Brás is Visiting Assistant Professor in Film Studies and Integrated Researcher at CEIS20 at Universidade de Coimbra. She concluded her doctoral research in the Department of Iberian and Latin American Studies at Birkbeck, University of London, in 2015. She previously taught at Queen Mary and Birkbeck, University of London, and at the University of Exeter in the UK and then held a research position at Universidade Lusófona in Lisbon. The relationship between politics and cinema that motivated her doctoral work continues to shape her new research projects. Her current research interests include documentary film genre, feminism and gender studies, filmic temporality and visual coloniality.
Inhaltsangabe
Contents: Frame - De-dramatization - Time - Repetition - The historical event - Ventura: The Bartleby of the slums.