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This is the first volume to focus specifically on Rabindranath Tagore's dramatic literature, visiting translations and adaptations of his drama, and cross-cultural encounters in his works. It offers a re-exploration of his plays, visiting issues such as his contribution to Indian drama, drama and environment, feminist readings, postcolonial engagements, cross-cultural encounters, drama as performance, translational and adaptation modes, the non-translated Tagore drama, 21st century drama, and Indian film. This resource on the criticism of Tagore drama and will appeal to a range of Theatre and…mehr

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Produktbeschreibung
This is the first volume to focus specifically on Rabindranath Tagore's dramatic literature, visiting translations and adaptations of his drama, and cross-cultural encounters in his works. It offers a re-exploration of his plays, visiting issues such as his contribution to Indian drama, drama and environment, feminist readings, postcolonial engagements, cross-cultural encounters, drama as performance, translational and adaptation modes, the non-translated Tagore drama, 21st century drama, and Indian film. This resource on the criticism of Tagore drama and will appeal to a range of Theatre and Performance scholars as well as those interested in Indian theatre, literature, and film.


Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Arnab Bhattacharya is an internationally published critic, translator and a creative writer. His previous publications include Ghosts and Other Perils (2013), an English translation of hilarious stories by 19th century Bengali author, Troilokyonath Mukhopadhyay and Writing the Body: Studies in the Self-images of Women in Indian English Poetry (2014), an edited volume on the discourse of the body in Indian English poetry by women.

Mala Renganathan is Professor of English at North-Eastern Hill University, Shillong (Meghalaya), India. She is the author of Understanding Maria Irene Fornes' Theatre (2011) and a contributor to Girish Karnad's Plays: Performance and Critical Perspectives (ed. Tutun Mukherjee, 2006), South Asian Literature: An Encyclopedia (ed. Jaina C. Sangha, 2004), and Who's Who in Contemporary World Theatre (ed. Daniel Meyer Dinkgrafe, Routledge, 2000).