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Somewhere in the world, a man sits alone outside a prison. Who is he, and why is he there? Is it a choice, or a punishment?
With The Prisoner , the internationally renowned theatre director Peter Brook and his long-time collaborator Marie-Hélène Estienne ask provocative and profound questions about justice, guilt, redemption - and what it means to be free.
The Prisoner opened at Théâtre des Bouffes du Nord, Paris, in March 2018, before an international tour which included performances at the Edinburgh International Festival, the National Theatre of Great Britain, and Theatre for a New
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Produktbeschreibung
Somewhere in the world, a man sits alone outside a prison. Who is he, and why is he there? Is it a choice, or a punishment?

With The Prisoner, the internationally renowned theatre director Peter Brook and his long-time collaborator Marie-Hélène Estienne ask provocative and profound questions about justice, guilt, redemption - and what it means to be free.

The Prisoner opened at Théâtre des Bouffes du Nord, Paris, in March 2018, before an international tour which included performances at the Edinburgh International Festival, the National Theatre of Great Britain, and Theatre for a New Audience in New York.

'The most pioneering theatre director of the twentieth century' Independent on Peter Brook

'Only its mystery equals the simplicity of this strange fable' - Le Monde

'The force of the show lies precisely in its ellipses, the empty spaces it offers to our emotions, sensations and to our intelligence' - Télérama

'During one hour and fifteen minutes, the Earth stops spinning at its maddening speed, to allow Brook to whisper in our ear one of his beautiful universal stories' - Les Echoes

'The work of an artist for whom the human heart has no secrets and who knows the revealing and consoling force of theatre' - Le Figaroscope


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Autorenporträt
Peter Brook is one of the world's best-known theatre directors. Outstanding in a career full of remarkable achievements are his productions of Titus Andronicus (1955) with Laurence Olivier, King Lear (1962) with Paul Scofield, and The Marat/Sade (1964) and A Midsummer Night's Dream (1970), both for the Royal Shakespeare Company. Since moving to Paris and establishing the International Centre for Theatre Research in 1970 and the International Centre for Theatre Creation when he opened the Bouffes du Nord in 1974, he has produced a series of events which push at the boundaries of theatre, such as Conference of the Birds (1976), The Ik (1975), The Mahabharata (1985) and The Tragedy of Carmen (1981) to name but a few. His films include Lord of the Flies (1963), King Lear (1970), The Mahabharata (1989), Tell Me Lies (restored 2013) and Meetings with Remarkable Men (restored 2017). His hugely influential books, from The Empty Space (1968) to The Quality of Mercy (2013), have been published in many languages throughout the world.