The Production and Consumption of Music in the Digital Age (eBook, PDF)

Redaktion: Hracs, Brian J.; Virani, Tarek E.; Seman, Michael

• Format: PDF

Produktbeschreibung

This international collection of case studies examines the spatial dynamics of today's music industry. Students of geography, business, economics, and cultural studies will find this volume helpful in answering questions about how and where music is produced, financed, marketed, curated and distributed in the digital age.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 292
• Erscheinungstermin: 14. April 2016
• Englisch
• ISBN-13: 9781317529651
• Artikelnr.: 44896452

Autorenporträt

Brian J. Hracs is a lecturer at the School of Geography and Environment at the University of Southampton, UK. Michael Seman is a senior research associate at the University of North Texas Center for Economic Development and Research. Tarek E. Virani is a post-doctoral research associate at Queen Mary University of London.

Inhaltsangabe

Part I: Introduction
1. Introduction: The Evolving Economic Geography of Music
[Brian J. Hracs, Michael Seman, and Tarek E. Virani]
Part II: Recording
2. Laptops, Pro Tools, and File Transfer Protocols: On the Intensification
and Extensification of Recording Work in the Digital Age
[Allan Watson]
3. Disturbing Production: The Effects of Digital Music Production on Music
Studios
[David Arditi]
Part III: Working
4. Working Harder and Working Smarter: The Survival Strategies of
Contemporary Independent Musicians
[Brian J. Hracs]
5. From Artist to Entrepreneur: The Working Lives of London-Based Rappers
[Laura Speers]
6. Hip-Hop Tunity: Challenges and Opportunities for Indie Hip-Hop Artists
in the Dutch Music Industry
[Joni R. Haijen]
7. "Working at the Candy Factory": The Limits of Nonmonetary Rewards in
Record Industry Careers
[Alexandre Frenette]
Part IV: Playing
8. The Resilience of a Local Music Scene in Dalston, London
[Tarek E. Virani]
9. Landscapes of Performance and Technological Change: Music Venues in
Pittsburgh, Pennsylvania and Nashville, Tennessee
[Ola Johansson, Margaret M. Gripshover, and Thomas L. Bell]
10. What's the "Newport Effect"?: Music Festivals, Touring, and Reputations
in the Digital Age
[Jonathan R. Wynn and Rodrigo Dominguez-Villegas]
11. Musicians and Temporary Spaces: The Case of Music Festivals in Sweden
[Johan Jansson and Jimi Nilsson]
Part V: Distributing
12. Exploring the "360 Degree" Blur: Digitization, Sonic Capital, and the
Strategic Orientations of Electronic Indie Labels
[Hans-Joachim Bürkner]
13. More Than Just Bytes?: Responses to Digitization in the Paris Cluster
of World Music Production
[Amanda Brandellero and Robert C. Kloosterman]
14. Emotional Landscapes and the Evolution of Vinyl Record Retail: A Case
Study of Highland Park, Los Angeles
[Tyler Sonnichsen]
15. Music Rights: Towards a Material Geography of Musical Practices in the
"Digital Age"
[Andy C. Pratt]
Part VI: Promoting and Consuming
16. Unpacking the "Digital Habitus" of Music Fans in Santiago's Indie Music
Scene
[Arturo Arriagada]
17. The Evolution of Music Tastemakers in the Digital Age: The Rise of
Algorithms and the Response of Journalists
[Bastian Lange]
18. Leveraging Affect: Mobilizing Enthusiasm and the Co-Production of the
Musical Economy
[Andrew Leyshon, Nigel Thrift, Louise Crewe, Shaun French, and Pete Webb]