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This book tells the story of diverse online creators--women, ethnic and racial minorities, queer folk and those from hardscrabble backgrounds--producing low budget, high cultural impact web-series which have disrupted longstanding white male domination of the film and TV industries.
This book tells the story of diverse online creators--women, ethnic and racial minorities, queer folk and those from hardscrabble backgrounds--producing low budget, high cultural impact web-series which have disrupted longstanding white male domination of the film and TV industries.
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Autorenporträt
Dr Guy Healy works as a researcher on an Australian Research Council project investigating the role of the web-series globally. Healy worked for about a decade at The Australian newspaper, mainly as a higher education writer; and for BBC Wildlife magazine as a freelance correspondent investigating species-level threats to wildlife. His most important story reported on calls from zoologists warning that research funding into, and surveillance of bat-borne viruses in Asia, Africa and elsewhere, had to be prioritized, in 2009
Inhaltsangabe
Preface by Tina Cesa Ward Chapter 1 Introduction Chapter 2: Absurdist YouTube animator Chris Voigt's journey to EMMY-winning, Bluey Chapter 3: Rapprochement across the divides: the Saidden brothers aka Superwog and Emmy-nominated Princess Pictures Chapter 4: The dark cinematic dreams of the Philippou twins, aka RackaRacka Chapter 5: The world's #3 online dessert chef, and developmental activist, Ann Reardon 'stuck in the algorithms' Chapter 6: The blood, sweat and tears of Shae-lee Shackleford and SketchSHE Chapter 7: Julie Kalceff...not sitting in a room on her own Chapter 8 : Erin Good, Taylor Litton-Strain and fantasy-noir web-pilot, Jade of Death Chapter 9: Bending algorithmic culture to serve post-TV storytelling Chapter 10 Tina Cesa Ward: The New York film director who fell into web-series Chapter 11: the Garden in YouTube's Machine Appendix 1: Career mobility paths of Skip Ahead alumni, 2014-19 Appendix 2: Three keys to sustainability for web-series makers, 2005 to 2021, based on Murdock and Goldings' (2016, 764) three economies Index
Preface by Tina Cesa Ward Chapter 1 Introduction Chapter 2: Absurdist YouTube animator Chris Voigt's journey to EMMY-winning, Bluey Chapter 3: Rapprochement across the divides: the Saidden brothers aka Superwog and Emmy-nominated Princess Pictures Chapter 4: The dark cinematic dreams of the Philippou twins, aka RackaRacka Chapter 5: The world's #3 online dessert chef, and developmental activist, Ann Reardon 'stuck in the algorithms' Chapter 6: The blood, sweat and tears of Shae-lee Shackleford and SketchSHE Chapter 7: Julie Kalceff...not sitting in a room on her own Chapter 8 : Erin Good, Taylor Litton-Strain and fantasy-noir web-pilot, Jade of Death Chapter 9: Bending algorithmic culture to serve post-TV storytelling Chapter 10 Tina Cesa Ward: The New York film director who fell into web-series Chapter 11: the Garden in YouTube's Machine Appendix 1: Career mobility paths of Skip Ahead alumni, 2014-19 Appendix 2: Three keys to sustainability for web-series makers, 2005 to 2021, based on Murdock and Goldings' (2016, 764) three economies Index
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