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In this book, the self-reports of psychopaths are presented and analyzed. These data provide more insight into the complex phenomenon of psychopathy. Psychopaths might consider their features, attitude and behavior quite differently than their non-psychopathic counterparts and psychiatric researchers do. This distinction might be the result of a) ignorance of non-psychopaths about the true nature of this complex disorder, b) a very different perspective of psychopaths and non-psychopaths in analyzing this phenomenon of psychopathy, c) the fact that most empirical data is gathered from…mehr

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Produktbeschreibung
In this book, the self-reports of psychopaths are presented and analyzed. These data provide more insight into the complex phenomenon of psychopathy. Psychopaths might consider their features, attitude and behavior quite differently than their non-psychopathic counterparts and psychiatric researchers do. This distinction might be the result of a) ignorance of non-psychopaths about the true nature of this complex disorder, b) a very different perspective of psychopaths and non-psychopaths in analyzing this phenomenon of psychopathy, c) the fact that most empirical data is gathered from incarnated, criminal populations who are very able to manipulate tests (most of them know much about the Hare, 1991, PCL-R), assessments, researchers, and therapists (just for fun, revenge, hatred, or disgust) and d) a lack of utilization of and unavailability of reliable and voluntary self-reports of psychopaths in informal settings, and so on. Informal, non-academic and non-clinical settings are important because the psychopaths I investigated displayed hate against formal academic and clinical settings because they consider them as bulwarks of repressing authority. They consider current theories and concepts of psychopathy as inadequate, incomplete, incorrect, stereotypes which bring about stigmatization


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Autorenporträt
Martens studied counterpoint, harmony, fuga, composition and film music between 1968 and 1972 with Nadia Boulanger en Darius Milhaud at the Conservatoire National Supérieur de Musique in Paris in France. He participated in the 1970 Master Class "Music Concrete" of Pierre Schaeffer.

"Between 1969 and 1978 he was appointed as Music Supervisor/Coordinator and film composer by the French network. Afterwards he studied between 1978-1983 Philosophy and Clinical Psychopathology at Amsterdam University and in 1985 he completed his study and training in psychoanalysis with Paul-Laurent Assoun (Paris). In 1997 he earned his PhD Forensic Psychiatry at Tilburg University, The Netherlands. Martens wrote more than 100 articles in international journals and chapters of books. Willem Martens worked for 40 years in forensic psychiatric settings as a psychotherapist and researcher and has been Chair of W. Kahn Institute of Theoretical Psychiatry and Neuroscience for 25 years.