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  • Format: ePub

At a loose end after college, Ellis Barstow drifts back to his hometown and takes a job as a reconstructionist - investigating and recreating the details of fatal car accidents. Ellis forms a bond with his boss John Boggs, who believes that if two cars meeting at an intersection can be called an accident, then anything can - where we live, what we do, even who we fall in love with.
For Ellis these things are certainly no accident and he harbours two secrets of his own. The car crash that killed his half-brother is a memory that still haunts him, and his feelings for John's wife threaten to
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Produktbeschreibung
At a loose end after college, Ellis Barstow drifts back to his hometown and takes a job as a reconstructionist - investigating and recreating the details of fatal car accidents. Ellis forms a bond with his boss John Boggs, who believes that if two cars meeting at an intersection can be called an accident, then anything can - where we live, what we do, even who we fall in love with.

For Ellis these things are certainly no accident and he harbours two secrets of his own. The car crash that killed his half-brother is a memory that still haunts him, and his feelings for John's wife threaten to blow apart the men's lives. As Ellis tries to make sense of his own life, the story's momentum builds to a desperate race towards confrontation, reconciliation and survival.


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Autorenporträt
Nick Arvin grew up in Michigan and has degrees in mechanical engineering from the University of Michigan and Stanford. A graduate of the Iowa Writers' Workshop, he is the author of two books: In the Electric Eden: Stories and Articles of War, which was included in the Books of the Year in the Independent and Esquire magazine. His work has appeared in the New Yorker, the New York Times, and the Rocky Mountain News, and his numerous awards include the Rosenthal Foundation Award from the American Academy of Arts and Letters, the Boyd Award from the American Library Association, the Colorado Book Award, and fellowships from the Michener-Copernicus Society, the Isherwood Foundation, and the National Endowment for the Arts.