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  • Format: ePub

Power, abuse, love gone horribly wrong - and a crime that stretches back two decades...
From the two-time THEAKSTONS OLD PECULIER CRIME NOVEL OF THE YEAR AWARD-winning author.
A girl who has seen more darkness than most.
A Scottish lawyer waiting to be killed.
A fingerprint discovered at a murder scene, from a man who couldn't possibly have been there.
As DI Alex Morrow investigates the death of a young businessman, she uncovers a vicious network of power and corruption that reaches back to Glasgow on the night Princess Diana died. And to a fourteen-year-old girl sat in a car with a dead body, the murder weapon still in her hand.
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Produktbeschreibung
Power, abuse, love gone horribly wrong - and a crime that stretches back two decades...
From the two-time THEAKSTONS OLD PECULIER CRIME NOVEL OF THE YEAR AWARD-winning author.


A girl who has seen more darkness than most.

A Scottish lawyer waiting to be killed.

A fingerprint discovered at a murder scene, from a man who couldn't possibly have been there.

As DI Alex Morrow investigates the death of a young businessman, she uncovers a vicious network of power and corruption that reaches back to Glasgow on the night Princess Diana died. And to a fourteen-year-old girl sat in a car with a dead body, the murder weapon still in her hand.


Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Denise Mina is the author of more than ten novels, including The Long Drop , winner of the 2017 McIlvanney Prize for Scottish crime book of the year, and the Garnethill trilogy, the first installment of which won the John Creasey Memorial Award for best first crime novel. Mina has twice received the Theakstons Old Peculier Crime Novel of the Year Award. She lives in Glasgow.
Rezensionen
Mina is a dab hand at constructing complex reads in which corruption permeates all levels of society and no one is left untainted, and THE RED ROAD is no exception: unsentimental, unsettling, and very, very good. GUARDIAN