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It is 1993, and Aubrey Tearle's world is shutting down. He has recently retired from a lifetime of proofreading telephone directories. His favourite neighbourhood haunt in Johannesburg, the Café Europa, is about to close its doors; the familiar old South Africa has almost vanished. Standards, he grumbles, are in decline, so bad-tempered, conservative Tearle embarks on a grandiose plan to enlighten his fellow citizens. The results are disastrous, hilarious and poignant. A classic novel about the post-apartheid era, brimming with riotous imagery, urban satire and outrageous wordplay. This tour…mehr

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Produktbeschreibung
It is 1993, and Aubrey Tearle's world is shutting down. He has recently retired from a lifetime of proofreading telephone directories. His favourite neighbourhood haunt in Johannesburg, the Café Europa, is about to close its doors; the familiar old South Africa has almost vanished. Standards, he grumbles, are in decline, so bad-tempered, conservative Tearle embarks on a grandiose plan to enlighten his fellow citizens. The results are disastrous, hilarious and poignant. A classic novel about the post-apartheid era, brimming with riotous imagery, urban satire and outrageous wordplay. This tour de force from Ivan Vladislavic was awarded the South African Sunday Times Fiction Prize.

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Autorenporträt
"IVAN VLADISLAVIC" is the author of the novels The Folly, The Exploded View and Double Negative. The last of these appeared initially in TJ/Double Negative, a joint project with the photographer David Goldblatt. It was published in novel form by And Other Stories in 2013. Vladislavic has written extensively about Johannesburg, notably in Portrait with Keys (2006). He has edited volumes on architecture and art, and published a monograph on the conceptual artist Willem Boshoff. The compendium volume Flashback Hotel (2010) gathered together his early stories. Recent books are The Loss Library and Other Unfinished Stories, a reflection on writing and other things, and A Labour of Moles, a small comedy of meanings illustrated by Ornan Rotem. His work has won the Sunday Times Fiction Prize, the Alan Paton Award and the University of Johannesburg Prize, while TJ/Double Negative received the 2011 Kraszna-Krausz Award for best photography book.