The Routledge Companion to Digital Humanities and Art History (eBook, PDF)

Redaktion: Brown, Kathryn

• Format: PDF

Produktbeschreibung

The Routledge Companion to Digital Humanities and Art History offers a broad survey of cutting-edge intersections between digital technologies and the study of art history, museum practices, and cultural heritage.

---

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 524
• Erscheinungstermin: 15. April 2020
• Englisch
• ISBN-13: 9780429999147
• Artikelnr.: 59221337

Autorenporträt

Kathryn Brown is a lecturer in art history and visual culture at Loughborough University, UK.

Inhaltsangabe

List of Figures; List of Table; List of Contributors; Introduction (
Kathryn Brown); Part I: Histories and Critical Debates; 1 Digital Methods
and the Historiography of Art (Paul B. Jaskot); 2 Blind Spot: Information
Visualization and Art History (Johanna Drucker); 3 The Digital
Transformation of Art History (Harald Klinke); 4 Feminist Digital Art
History (Kathryn Brown and Elspeth Mitchell); 5 Slow Digital Art History
and KUbism: Or, Situation Awareness and the Promise of Open-World Games (
Koenraad Brosens, Bruno Cardoso, and Fred Truyen); Part II: Archives,
Networks, and Maps; 6 Tangled Metaphors: Network Thinking and Network
Analysis in the History of Art (Matthew D. Lincoln); 7 Digital Humanities
for a Spatial, Global, and Social History of Art (Béatrice Joyeux-Prunel);
8 Mapping Paintings, or How to Breathe Life Into Provenance (Jodi Cranston
); 9 Qualitative Approaches to Network Analysis in Art History: Research on
Contemporary Artists' Networks (Sanja Sekelj); 10 Mapping Senufo: Mapping
as a Method to Transcend Colonial Assumptions (Susan Elizabeth Gagliardi);
11 X-Reception: Re-mediating Trans- Feminist and Queer Performance Art (
T.L. Cowan); 12 Digital Methods and the Study of the Art Market (Pamela
Fletcher and Anne Helmreich); 13 Noise Management in the Archival
Ecosystem: Debating Principles for Classification (Anna Dot and Pablo Santa
Olalla); Part III: Museums: Real, Virtual, and Augmented; 14 Digital
Imaging Projects for Asian Art and Visual Culture: Transcultural Mediations
and Collaborations (Katherine R. Tsiang); 15 A Field Guide to Digital
Surrogates: Evaluating and Contextualizing a Rapidly Changing Resource (
Emma Stanford); 16 A Service-Orientation and Open-Source Approach to
Developing Virtual Museums (Martin White and Ben Jackson); 17 Art History,
Heritage Games, and Virtual Reality (Erik Champion and Anna Foka); 18 Art
With a Lifespan: Digital Technologies and the Preservation of BioArt (
Christl Baur); 19 The Expanding Role of Digitized Collections: The Medici
Archive (Alessio Assonitis); 20 Digital Languages for Art History: Audience
Engagement, Virtual and Augmented Reality (Stefania De Vincentis and Luca
Nicolò Vascon); Part IV: Computational Techniques for Analyzing Artworks;
21 Curation, Content, Creation: Computer Approaches to the Fine Arts (
Javier de la Rosa and Juan-Luis Suárez); 22 Computerized Analysis of
Paintings (James Z. Wang, Baris Kandemir, and Jia Li); 23 Digital 3D
Modeling for the History of Art (Amy Jeffs); 24 Metadata, Material Culture,
and Global Art History (Robert Wellington); 25 Image Processing and
Computer Vision in the Field of Art History (Nuria Rodríguez-Ortega); 26
Pointers and Proxies: Thoughts on the Computational Modeling of the
Phenomenal World (Alison Langmead and David Newbury); 27 Approaching Aby
Warburg and Digital Art History: Thinking Through Images (Amanda Du Preez
); 28 Analyzing Gesture in Digital Art History (Leonardo Impett); 29
Digital Techniques for the Study of Portuguese Azulejos (Glazed Tiles):
Between Alice's White Rabbit and the Mad Tea Party (Rosário Salema de
Carvalho, Rafaela Xavier, and Inês Leitão); Part V: Digital Resources,
Publication, and Education; 30 The Database of Modern Exhibitions (DoME):
European Paintings and Drawings 1905-1915 (Christina Bartosch, Nirmalie
Mulloli, Daniel Burckhardt, Marei Döhring, Walid Ahmad, and Raphael
Rosenberg); 31 The Art-Historical Catalogue in the Digital Era (Anne
Collins Goodyear); 32 Digital Provenance, Open Access, and Data-Driven Art
History (Anne Luther); 33 Research, Process, Publication, and Pedagogy:
Reconstructing the World's Columbian Exposition of 1893 (Lisa M. Snyder);
34 Social Media in the Art History Classroom (Lauren Jimerson and Allison
Leigh); Index