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This book traces how manifestations of Latine self-determination in contemporary U.S. theatre and performance practices affirm the value of Latine life theatrical culture.
This book traces how manifestations of Latine self-determination in contemporary U.S. theatre and performance practices affirm the value of Latine life theatrical culture.
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Autorenporträt
Noe Montez is Associate Professor and Chair of Theatre, Dance, and Performance Studies at Tufts University, USA. Olga Sanchez Saltveit is Assistant Professor of Theatre, Middlebury College, USA; the Co-Artistic and Producing Director, Dogteam Theatre Project; and Artistic Director Emerita, Milagro.
Inhaltsangabe
Part 1: Latine Identities
1. Make Your Heart Your Face
Juliette Carrillo
2. Translating the Literal and Metaphorical Languages of Theatrical Make-believe
Guillermo Reyes
3. Down the Yellow Brick Road to Querencia: Brian Quijada's Somewhere Over the Border
Kristin Leahey
4. Laughter for Liberation: Latine Comedy in the U.S. American Theatre
Amelia Acosta Powell
5. Luisa Capetillo: A Beautiful Anarchy
Magdalena Gómez
6. A Good Light: Making the Most of Our Spotlights
Amparo Garcia-Crow
7. Ode to Identity
Daniel Jáquez
8. The Struggles and Successes of Building an Inclusive Arts/Activist Community on the Border
Samuel Valdez
9. Discussing Intersectionality of AfroLatinidad in Entertainment and Performance
Daphnie Sicre
10. Permission
Elaine Romero
Part 2: History/Presence
11. Latinx Presence in New York's Downtown Arts Scenes 1963-1975
Eric Meyer García
12. "Quinto Festival de Teatro Chicano- Primer Encuentro Latinoamericano: Un Continente, Una Cultura Por Un Teatro Libre y Para la Liberacion:" The Vision, the Plan, the Event
Alma Martinez
13. From Latin Cigar Factory Workers/Actors to Latine Pulitzers: Latine Theatre in Florida
Lillian Manzor
14. Latine Theatre in Florida
Lillian Manzor
15. La Rose: Broadway, 1906 and San Juan Bautista, 1981
2. Translating the Literal and Metaphorical Languages of Theatrical Make-believe
Guillermo Reyes
3. Down the Yellow Brick Road to Querencia: Brian Quijada's Somewhere Over the Border
Kristin Leahey
4. Laughter for Liberation: Latine Comedy in the U.S. American Theatre
Amelia Acosta Powell
5. Luisa Capetillo: A Beautiful Anarchy
Magdalena Gómez
6. A Good Light: Making the Most of Our Spotlights
Amparo Garcia-Crow
7. Ode to Identity
Daniel Jáquez
8. The Struggles and Successes of Building an Inclusive Arts/Activist Community on the Border
Samuel Valdez
9. Discussing Intersectionality of AfroLatinidad in Entertainment and Performance
Daphnie Sicre
10. Permission
Elaine Romero
Part 2: History/Presence
11. Latinx Presence in New York's Downtown Arts Scenes 1963-1975
Eric Meyer García
12. "Quinto Festival de Teatro Chicano- Primer Encuentro Latinoamericano: Un Continente, Una Cultura Por Un Teatro Libre y Para la Liberacion:" The Vision, the Plan, the Event
Alma Martinez
13. From Latin Cigar Factory Workers/Actors to Latine Pulitzers: Latine Theatre in Florida
Lillian Manzor
14. Latine Theatre in Florida
Lillian Manzor
15. La Rose: Broadway, 1906 and San Juan Bautista, 1981
49. The Graying of the Field: How I Survived the Transition from 'New Dramatist' to one Who Is No Longer New
Migdalia Cruz
50. A Play is a Poem Standing Up
Marisela Treviño Orta
Rezensionen
"The Routledge Companion to Latine Theatre and Performance is essential reading for those who desire to delve into the breadth and depth of Latine theatre and performance. This remarkable volume offers an abundant array of aesthetically and culturally diverse contributions from foundational, established and emerging voices in the field. May the global theatre community engage this significant archive and resource for years to come!"
Anne García-Romero, University of Notre Dame, USA
"Montez and Sanchez Saltveit's masterfully-edited volume is a treasury of insights into contemporary Latine theatre. This collection of essays by scholars and artists is an intergenerational conversation about Latine theatrical practices that reflect on and refract contemporary debates about identity, politics and culture."
Patricia A. Ybarra, Brown University, USA
"This dynamic collection brings together the revelatory work of a wide array of Latine artists coupledby the historical, theoretical, and academic analysis of our best scholars. By celebrating the voice and of Latine artists and the insight of our best contemporary scholars, Dr. Sanchez Saltveit and Dr. Montez have created a vital gift for our field."
Karen Zacarías, Playwright and Core Founder, Latinx Theatre Commons, USA
"The Routledge Companion to Latine Theatre and Performance is essential reading for those who desire to delve into the breadth and depth of Latine theatre and performance. This remarkable volume offers an abundant array of aesthetically and culturally diverse contributions from foundational, established and emerging voices in the field. May the global theatre community engage this significant archive and resource for years to come!"
Anne García-Romero, University of Notre Dame, USA
"Montez and Sanchez Saltveit's masterfully-edited volume is a treasury of insights into contemporary Latine theatre. This collection of essays by scholars and artists is an intergenerational conversation about Latine theatrical practices that reflect on and refract contemporary debates about identity, politics and culture."
Patricia A. Ybarra, Brown University, USA
"This dynamic collection brings together the revelatory work of a wide array of Latine artists coupled by the historical, theoretical, and academic analysis of our best scholars. By celebrating the voice and of Latine artists and the insight of our best contemporary scholars, Dr. Sanchez Saltveit and Dr. Montez have created a vital gift for our field."
Karen Zacarías, Playwright and Core Founder, Latinx Theatre Commons, USA
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