The Routledge Companion to Media and Tourism (eBook, PDF)
Redaktion: Månsson, Maria; Eskilsson, Lena; Cassinger, Cecilia; Buchmann, Annæ
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The Routledge Companion to Media and Tourism (eBook, PDF)
Redaktion: Månsson, Maria; Eskilsson, Lena; Cassinger, Cecilia; Buchmann, Annæ
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The Routledge Companion to Media and Tourism provides a comprehensive overview of the research into the convergence of media and tourism and specifically investigates the concept of mediatized tourism.
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The Routledge Companion to Media and Tourism provides a comprehensive overview of the research into the convergence of media and tourism and specifically investigates the concept of mediatized tourism.
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Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 476
- Erscheinungstermin: 7. Juli 2020
- Englisch
- ISBN-13: 9780429772849
- Artikelnr.: 59637360
- Verlag: Taylor & Francis
- Seitenzahl: 476
- Erscheinungstermin: 7. Juli 2020
- Englisch
- ISBN-13: 9780429772849
- Artikelnr.: 59637360
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Maria Månsson is a Senior Lecturer at the Department of Strategic Communication at Lund University, Sweden. She has a PhD in Service Studies from Lund University that focused on Mediatized tourism. Her research deals with media's influence on tourism and tourists' performances at destinations, place marketing, and place branding with a particular focus on popular culture. Annæ Buchmann has a PhD in Social Science and is a Lecturer in Events, Tourism, and Leisure at the University of Newcastle, Australia. Anna has published widely in film/media tourism and also horse tourism considering multispecies perspectives. Her interdisciplinary research looks at long-term strategies for creating sustainable communities and organisations in urban and regional destinations. Cecilia Cassinger obtained her PhD in Marketing, 2010. She is an Associate Professor at the Department of Strategic Communication, Lund University, Sweden. Her research concerns the consequences and transformative potential of place brand communication and how communication is strategically used to mitigate conflicts among users in places, such as cities, regions, and nations. Lena Eskilsson is a Senior Lecturer in Human Geography working at the Department of Service Management and Service Studies at Lund University, Sweden. She has a specialisation in place development and marketing with finalised research projects focusing on the bridging of the film and tourism sectors, as well as the influence of media on tourism and tourist behaviour at destinations.
1. Introduction: In the juncture of media convergence and tourism - towards
a research agenda. Part I - Critical and conceptual entrance points to the
field. 2. Invited contribution - The Janus face of transmedia tourism:
Towards a logistical turn in media and tourism studies. 3. Invited
contribution - Mind the gap: Interdisciplinary approaches to media and
tourism. 4. Theme Parks - Where media and tourism converge. 5. Cinematic
tourism in a time of media convergence: A spatial framework. 6. What do
Melania Trump tourism and Dracula tourism have in common? 'Othering' in the
Western media discourse. 7. Confronting the gaze, gripping the virtual: A
cultural materialist perspective on cinema-tourism studies. 8. Promoting
cultural heritage in a post-digital context: A speculative future for the
online archive 9. Physical digital labour and the commoditisation of
cultural Sites: Mediatising tourism through social mapping. Part II -
Mediatized places and spaces. 10. Football tourism and the sounds of
televised matches. 11. Pop idols, mediatized places, and identity-oriented
performances of fans as domestic tourists in Japan. 12. Do you feel the
warmth? The online destination image of Southeast Asia. 13. Tourism and
popcorns: The role of feature films in branding and marketing destination
New Zealand 14. Official destination websites: A place's showcase to the
world. 15. Doing as directed: Analysing representations of travel in
contemporary Bollywood cinema. 16. Representation of food and tourism in
legacy media: rediscovering the roots. 17. Liminality and the stranger:
Understanding tourists and their landscapes through True Detective. Part
III - Circle of representation. 18. Co-creation constrained: Exploring
gazes of the destination on Instagram. 19. Representations of a Green
Ireland: a case study of global franchises Star Wars and Game of Thrones.
20. Representation of the UAE as a touristic destination in Nat Geo Abu
Dhabi: An analytical study. 21. Rewriting history, revitalizing heritage:
Heritage-based contents tourism in the Asia-Pacific region. 22. Challenges
of film-induced tourism in Croatia: From Winnetou to Game of Thrones. 23.
Beaten tracks: belatedness and anti-tourism in guidebooks. 24. Film tourism
and a changing cultural landscape for New Zealand: The influence of Pavlova
westerns. 25. Tourists' place-making performances through music. 26.
Tourists' filmic representations on YouTube: A case study analysis of two
mediatised visits to the Mursi in Ethiopia. Part IV - Tourists as media
producers. 27. Star gazing: The nexus and disparity between the media,
tourism, and cultural heritage in Ireland. 28. Commemorating popular media
heritage: From shrines of fandom to sites of memory. 29. Media tourism,
culinary cultures, and embodied fan experience: Visiting Hannibal's
Florence. 30. Scene hunting for anime locations: Otaku tourism in Cool
Japan. 31. Behind-the-(museum)scenes: Fan-curated exhibitions as tourist
attractions. 32. Creative fandoms and the mediatized sacred sites. 33. I
came, I saw, I selfied: Travelling in the age of Instagram. 34. The
mediatization of Sherlock Holmes: Autoethnographic observations on literary
and film tourism. 35. Cultural intimacy of fans/travellers: popular culture
and the politics of classification. Part V - Transmedia tourism. The role
of stories in travel posts to social media. 37. Evaluating multiple
portrayals of destination image: Assessing, categorising, and
authenticating visuals on Facebook posted by national tourism
organisations. 38. The digital tourist bureau: Challenges and opportunities
when transferring to a digital value creation. 39. Tourist information
search in the age of mediatization. 40. Towards sustainable nautical
tourism - exploring transmedia storytelling. 41. The nexus between tourism
heritage attraction, media and fashion. 42. Online and on tour: the
smartphone effect in transmedia contexts. 43. Smartphone as the invisible
backpack: The impact of smartphone on Chinese backpackers' mobility
pattern. 44. Afterword - Participatory placemakers: socio-spatial orderings
along the nexus of tourism and media
a research agenda. Part I - Critical and conceptual entrance points to the
field. 2. Invited contribution - The Janus face of transmedia tourism:
Towards a logistical turn in media and tourism studies. 3. Invited
contribution - Mind the gap: Interdisciplinary approaches to media and
tourism. 4. Theme Parks - Where media and tourism converge. 5. Cinematic
tourism in a time of media convergence: A spatial framework. 6. What do
Melania Trump tourism and Dracula tourism have in common? 'Othering' in the
Western media discourse. 7. Confronting the gaze, gripping the virtual: A
cultural materialist perspective on cinema-tourism studies. 8. Promoting
cultural heritage in a post-digital context: A speculative future for the
online archive 9. Physical digital labour and the commoditisation of
cultural Sites: Mediatising tourism through social mapping. Part II -
Mediatized places and spaces. 10. Football tourism and the sounds of
televised matches. 11. Pop idols, mediatized places, and identity-oriented
performances of fans as domestic tourists in Japan. 12. Do you feel the
warmth? The online destination image of Southeast Asia. 13. Tourism and
popcorns: The role of feature films in branding and marketing destination
New Zealand 14. Official destination websites: A place's showcase to the
world. 15. Doing as directed: Analysing representations of travel in
contemporary Bollywood cinema. 16. Representation of food and tourism in
legacy media: rediscovering the roots. 17. Liminality and the stranger:
Understanding tourists and their landscapes through True Detective. Part
III - Circle of representation. 18. Co-creation constrained: Exploring
gazes of the destination on Instagram. 19. Representations of a Green
Ireland: a case study of global franchises Star Wars and Game of Thrones.
20. Representation of the UAE as a touristic destination in Nat Geo Abu
Dhabi: An analytical study. 21. Rewriting history, revitalizing heritage:
Heritage-based contents tourism in the Asia-Pacific region. 22. Challenges
of film-induced tourism in Croatia: From Winnetou to Game of Thrones. 23.
Beaten tracks: belatedness and anti-tourism in guidebooks. 24. Film tourism
and a changing cultural landscape for New Zealand: The influence of Pavlova
westerns. 25. Tourists' place-making performances through music. 26.
Tourists' filmic representations on YouTube: A case study analysis of two
mediatised visits to the Mursi in Ethiopia. Part IV - Tourists as media
producers. 27. Star gazing: The nexus and disparity between the media,
tourism, and cultural heritage in Ireland. 28. Commemorating popular media
heritage: From shrines of fandom to sites of memory. 29. Media tourism,
culinary cultures, and embodied fan experience: Visiting Hannibal's
Florence. 30. Scene hunting for anime locations: Otaku tourism in Cool
Japan. 31. Behind-the-(museum)scenes: Fan-curated exhibitions as tourist
attractions. 32. Creative fandoms and the mediatized sacred sites. 33. I
came, I saw, I selfied: Travelling in the age of Instagram. 34. The
mediatization of Sherlock Holmes: Autoethnographic observations on literary
and film tourism. 35. Cultural intimacy of fans/travellers: popular culture
and the politics of classification. Part V - Transmedia tourism. The role
of stories in travel posts to social media. 37. Evaluating multiple
portrayals of destination image: Assessing, categorising, and
authenticating visuals on Facebook posted by national tourism
organisations. 38. The digital tourist bureau: Challenges and opportunities
when transferring to a digital value creation. 39. Tourist information
search in the age of mediatization. 40. Towards sustainable nautical
tourism - exploring transmedia storytelling. 41. The nexus between tourism
heritage attraction, media and fashion. 42. Online and on tour: the
smartphone effect in transmedia contexts. 43. Smartphone as the invisible
backpack: The impact of smartphone on Chinese backpackers' mobility
pattern. 44. Afterword - Participatory placemakers: socio-spatial orderings
along the nexus of tourism and media
1. Introduction: In the juncture of media convergence and tourism - towards
a research agenda. Part I - Critical and conceptual entrance points to the
field. 2. Invited contribution - The Janus face of transmedia tourism:
Towards a logistical turn in media and tourism studies. 3. Invited
contribution - Mind the gap: Interdisciplinary approaches to media and
tourism. 4. Theme Parks - Where media and tourism converge. 5. Cinematic
tourism in a time of media convergence: A spatial framework. 6. What do
Melania Trump tourism and Dracula tourism have in common? 'Othering' in the
Western media discourse. 7. Confronting the gaze, gripping the virtual: A
cultural materialist perspective on cinema-tourism studies. 8. Promoting
cultural heritage in a post-digital context: A speculative future for the
online archive 9. Physical digital labour and the commoditisation of
cultural Sites: Mediatising tourism through social mapping. Part II -
Mediatized places and spaces. 10. Football tourism and the sounds of
televised matches. 11. Pop idols, mediatized places, and identity-oriented
performances of fans as domestic tourists in Japan. 12. Do you feel the
warmth? The online destination image of Southeast Asia. 13. Tourism and
popcorns: The role of feature films in branding and marketing destination
New Zealand 14. Official destination websites: A place's showcase to the
world. 15. Doing as directed: Analysing representations of travel in
contemporary Bollywood cinema. 16. Representation of food and tourism in
legacy media: rediscovering the roots. 17. Liminality and the stranger:
Understanding tourists and their landscapes through True Detective. Part
III - Circle of representation. 18. Co-creation constrained: Exploring
gazes of the destination on Instagram. 19. Representations of a Green
Ireland: a case study of global franchises Star Wars and Game of Thrones.
20. Representation of the UAE as a touristic destination in Nat Geo Abu
Dhabi: An analytical study. 21. Rewriting history, revitalizing heritage:
Heritage-based contents tourism in the Asia-Pacific region. 22. Challenges
of film-induced tourism in Croatia: From Winnetou to Game of Thrones. 23.
Beaten tracks: belatedness and anti-tourism in guidebooks. 24. Film tourism
and a changing cultural landscape for New Zealand: The influence of Pavlova
westerns. 25. Tourists' place-making performances through music. 26.
Tourists' filmic representations on YouTube: A case study analysis of two
mediatised visits to the Mursi in Ethiopia. Part IV - Tourists as media
producers. 27. Star gazing: The nexus and disparity between the media,
tourism, and cultural heritage in Ireland. 28. Commemorating popular media
heritage: From shrines of fandom to sites of memory. 29. Media tourism,
culinary cultures, and embodied fan experience: Visiting Hannibal's
Florence. 30. Scene hunting for anime locations: Otaku tourism in Cool
Japan. 31. Behind-the-(museum)scenes: Fan-curated exhibitions as tourist
attractions. 32. Creative fandoms and the mediatized sacred sites. 33. I
came, I saw, I selfied: Travelling in the age of Instagram. 34. The
mediatization of Sherlock Holmes: Autoethnographic observations on literary
and film tourism. 35. Cultural intimacy of fans/travellers: popular culture
and the politics of classification. Part V - Transmedia tourism. The role
of stories in travel posts to social media. 37. Evaluating multiple
portrayals of destination image: Assessing, categorising, and
authenticating visuals on Facebook posted by national tourism
organisations. 38. The digital tourist bureau: Challenges and opportunities
when transferring to a digital value creation. 39. Tourist information
search in the age of mediatization. 40. Towards sustainable nautical
tourism - exploring transmedia storytelling. 41. The nexus between tourism
heritage attraction, media and fashion. 42. Online and on tour: the
smartphone effect in transmedia contexts. 43. Smartphone as the invisible
backpack: The impact of smartphone on Chinese backpackers' mobility
pattern. 44. Afterword - Participatory placemakers: socio-spatial orderings
along the nexus of tourism and media
a research agenda. Part I - Critical and conceptual entrance points to the
field. 2. Invited contribution - The Janus face of transmedia tourism:
Towards a logistical turn in media and tourism studies. 3. Invited
contribution - Mind the gap: Interdisciplinary approaches to media and
tourism. 4. Theme Parks - Where media and tourism converge. 5. Cinematic
tourism in a time of media convergence: A spatial framework. 6. What do
Melania Trump tourism and Dracula tourism have in common? 'Othering' in the
Western media discourse. 7. Confronting the gaze, gripping the virtual: A
cultural materialist perspective on cinema-tourism studies. 8. Promoting
cultural heritage in a post-digital context: A speculative future for the
online archive 9. Physical digital labour and the commoditisation of
cultural Sites: Mediatising tourism through social mapping. Part II -
Mediatized places and spaces. 10. Football tourism and the sounds of
televised matches. 11. Pop idols, mediatized places, and identity-oriented
performances of fans as domestic tourists in Japan. 12. Do you feel the
warmth? The online destination image of Southeast Asia. 13. Tourism and
popcorns: The role of feature films in branding and marketing destination
New Zealand 14. Official destination websites: A place's showcase to the
world. 15. Doing as directed: Analysing representations of travel in
contemporary Bollywood cinema. 16. Representation of food and tourism in
legacy media: rediscovering the roots. 17. Liminality and the stranger:
Understanding tourists and their landscapes through True Detective. Part
III - Circle of representation. 18. Co-creation constrained: Exploring
gazes of the destination on Instagram. 19. Representations of a Green
Ireland: a case study of global franchises Star Wars and Game of Thrones.
20. Representation of the UAE as a touristic destination in Nat Geo Abu
Dhabi: An analytical study. 21. Rewriting history, revitalizing heritage:
Heritage-based contents tourism in the Asia-Pacific region. 22. Challenges
of film-induced tourism in Croatia: From Winnetou to Game of Thrones. 23.
Beaten tracks: belatedness and anti-tourism in guidebooks. 24. Film tourism
and a changing cultural landscape for New Zealand: The influence of Pavlova
westerns. 25. Tourists' place-making performances through music. 26.
Tourists' filmic representations on YouTube: A case study analysis of two
mediatised visits to the Mursi in Ethiopia. Part IV - Tourists as media
producers. 27. Star gazing: The nexus and disparity between the media,
tourism, and cultural heritage in Ireland. 28. Commemorating popular media
heritage: From shrines of fandom to sites of memory. 29. Media tourism,
culinary cultures, and embodied fan experience: Visiting Hannibal's
Florence. 30. Scene hunting for anime locations: Otaku tourism in Cool
Japan. 31. Behind-the-(museum)scenes: Fan-curated exhibitions as tourist
attractions. 32. Creative fandoms and the mediatized sacred sites. 33. I
came, I saw, I selfied: Travelling in the age of Instagram. 34. The
mediatization of Sherlock Holmes: Autoethnographic observations on literary
and film tourism. 35. Cultural intimacy of fans/travellers: popular culture
and the politics of classification. Part V - Transmedia tourism. The role
of stories in travel posts to social media. 37. Evaluating multiple
portrayals of destination image: Assessing, categorising, and
authenticating visuals on Facebook posted by national tourism
organisations. 38. The digital tourist bureau: Challenges and opportunities
when transferring to a digital value creation. 39. Tourist information
search in the age of mediatization. 40. Towards sustainable nautical
tourism - exploring transmedia storytelling. 41. The nexus between tourism
heritage attraction, media and fashion. 42. Online and on tour: the
smartphone effect in transmedia contexts. 43. Smartphone as the invisible
backpack: The impact of smartphone on Chinese backpackers' mobility
pattern. 44. Afterword - Participatory placemakers: socio-spatial orderings
along the nexus of tourism and media