The Routledge Companion to World Cinema (eBook, PDF)

Redaktion: Stone, Rob; Marlow-Mann, Alex; Dennison, Stephanie; Cooke, Paul

• Format: PDF

Produktbeschreibung

The Routledge Companion to World Cinema explores and examines a global range of films and filmmakers, their movements and audiences, comparing their cultural, technological and political dynamics, identifying the impulses that constantly reshape the form and function of the cinemas of the world.

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Produktdetails

• Verlag: Taylor & Francis eBooks
• Seitenzahl: 542
• Erscheinungstermin: 27. September 2017
• Englisch
• ISBN-13: 9781317420590
• Artikelnr.: 49353005

Autorenporträt

Rob Stone is Chair of European Cinema and Professor of Film Studies at the University of Birmingham, where he co-directs B-Film: The Birmingham Centre for Film Studies. Paul Cooke is Centenary Chair of World Cinemas at the University of Leeds and the Director of the Centre for World Cinemas and Digital Cultures. Stephanie Dennison is Chair of Brazilian Studies and a founding member of the Centre for World Cinemas and Digital Cultures at the University of Leeds. Alex Marlow-Mann is Lecturer in Italian at the University of Kent.

Inhaltsangabe

Introduction: The Longitude and Latitude of World Cinema Part I: Longitude
1. The Cinematic and the Real in Contemporary Chinese Cinema 2. Southeast
Asian Independent Cinema: A World Cinema Movement 3. Global Intimacy and
Cultural Intoxication: Japanese and Korean Film in the twenty-first century
4. Media Refashioning: From Nollywood to New Nollywood 5. Framing
Democracy: Film in Post-democracy South Africa 6. Brazilian Cinema on the
Global Screen 7. Transnational filmmaking in South America 8. Connected in
"Another Way": Repetition, Difference and Identity in Caribbean Cinema 9.
Women's (R)evolutions in Mexican Cinema 10. Popular Cinema/Quality
Television: The Audio-visual Sector in Spain 11. Contemporary Scandinavian
Cinema: between Art and Commerce 12. British Cinemas: Critical and
Historical Debates 13. Developments in Eastern European Cinemas since 1989
14. Cinema at the Edges of the European Union: New Dynamics in the South
and the East 15. The Non/Industries of Film and the Palestinian Emergent
Film Economy 16. Locations and Narrative Reorientations in Arab
Cinemas/World Cinema 17. The Forking Paths of Indian Cinema: Revisiting
Hindi Films through Their Regional Networks 18. American Indie Film and
International Art Cinema: Points of Distinction and Overlap 19. Canadian
Cinema(s) 20. Conventions, Preventions and Interventions: Australasian
Cinema since the 1970s Part II: Latitude 21. Cinemas of Citizens and
Cinemas of Sentiment: World Cinema in Flux 22. Transworld Cinemas:
Film-Philosophies for World Cinemas' Engagement with World History 23.
Transnational Cinema: Mapping a Field of Study 24. "Soft Power" and
Shifting Patterns of Influence in Global Film Culture 25. Realist Cinema as
World Cinema 26. Regional Cinema: Micro-Mapping and Glocalisation 27.
Global Women's Cinema 28. Provincialising Heterosexuality: Queer Style,
World Cinema 29. Stars across Borders: The Vexed Question of Stars'
Exportability 30. Film Fusions: the Cult Film in World Cinema 31. Perpetual
Motion Pictures: Sisyphean Burden and the Global Screen Franchise 32.
Screening World Cinema at Film Festivals: Festivalisation and (Staged)
Authenticity 33. Cinephilia Goes Global: Loving Cinema in the
Post-cinematic Age 34. Another (Hi)story?: Reinvestigating the Relationship
between Cinema and History 35. Archival Cinema 36. Digital Cinemas 37.
Access and Power: Film Distribution, Re-intermediation and Piracy 38. The
Emerging Global Screen Ecology of Social Media Entertainment 39. Remapping
World Cinema through Audience Research 40. Eyes on the Future: World Cinema
and Transnational Capacity Building Index