The Routledge Handbook of Crime Fiction and Ecology (eBook, PDF)
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The Routledge Handbook of Crime Fiction and Ecology (eBook, PDF)
Redaktion: Ashman, Nathan
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Compellingly written and drawing on examples from across the globe, The Routledge Handbook of Crime Fiction and Ecology is an essential introduction to this new and dynamic research field for both students and scholars alike.
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Compellingly written and drawing on examples from across the globe, The Routledge Handbook of Crime Fiction and Ecology is an essential introduction to this new and dynamic research field for both students and scholars alike.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 458
- Erscheinungstermin: 27. Oktober 2023
- Englisch
- ISBN-13: 9781000984453
- Artikelnr.: 68784005
- Verlag: Taylor & Francis
- Seitenzahl: 458
- Erscheinungstermin: 27. Oktober 2023
- Englisch
- ISBN-13: 9781000984453
- Artikelnr.: 68784005
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Nathan Ashman is Lecturer in Crime Writing at the University of East Anglia and the author of James Ellroy and Voyeur Fiction (2018). His research spans the fields of crime fiction, contemporary American fiction, and ecocriticism, with a particular specialism in the works of James Ellroy. He has published articles on numerous writers including Ross Macdonald, E.C. Bentley, Don DeLillo,Megan Abbott and Walter Mosley. His second book, James Sallis: A Companion to the Mystery Fiction, is forthcoming.
Placing Crime Fiction and Ecology: An Introduction
Nathan Ashman
Part I: Space and Topography
in Rajat Chaudhuri's The Butterfly Effect
Damini Ray
Nathan Ashman
Part I: Space and Topography
- Affect in Peter May's Lewis and Harris Novels
- "The Goshawk Did It": Nature Writing and Detection in Ann Cleeves'
- The Norfolk Saltmarsh: Elly Griffiths and Place in Contemporary Crime Fiction
- The Big Deep: The Ecological Turn in Nordic Noir
- Aesthetic Imaginaries of Nature and Nationhood in the Works of Arnaldur
- Unsettlement, Climate and Rural/Urban Place-Making in Australian Crime
- Pest Control: "Wasp Season" in Agatha Christie's "The Blue Geranium"
- Green Machinations: Unknown Poison, Ecology and Female Criminal Agency in
- "Scorched Earth": Transgressive Bodies, Historic Criminality, and Colonial
- "Animals Taking Revenge": Imagining Murder as an Ecological Encounter in
- Protecting the Rhinos and Our Young Democracy: Nature and the State in
- "Look at Mother Nature on the Run": 'The Troubles' in Adrian McKinty's Sean
- Environmental Crime and the Dialectics of Slow and Divine Violence in
- "Holmes, that's some Santa Claus shit": Reading Lydia Millet's A Children's
- John D. MacDonald and the Advent of Ecocrime Fiction
- Choking to Death: True Crime and the Great Smog
- "Every Crime Has its Peculiar Odor": Detection, Deodorization and Intoxication
- In Paolo Bacigalupi's Environmental Science Fiction, Immoral and Criminal are
- From Crime Scene to Anthropocene in 2010s Argentinian Narrative
- Ecologemes in Contemporary Australian Crime Fiction: The Case of Outback
- Revising Crime in Fiction: An Environmental Invitation
- Criminal Violences: The Continuum of Settler Colonialism and Climate
- Environmental Racism and Post-Katrina Crime Fiction
- Seeking Environmental Justice: Muti in South African Crime Fiction
- A Form of Wild Justice: Carl Hiaasen's Deployment of Carnivalesque
- Environmental Concerns in Carl Hiaasen's Crime Fiction
- New Energy, Old Crime: Forms of Individual and Collective Responsibility
- "It Tasted Like Gasoline": The American Roman Noir and the Oil Encounter
- Oil and the Hardboiled: Petromobility, Settler Colonialism and the Legacy
- "The Whole World...Was a Gigantic Prison": Climate Crisis and Carceral
- Reading Donna Leon as Mediterranean Noir
- The Circulation of Global Environmental Concerns: Local and International
- Magic Seeds and The Living Dead: Investigating Transnational Eco-Crimes
Terry Gifford
The Crow Trap
Ian Kenny and Irina Souch
Nicola Bishop
Michael Hinds and Tomas Buitendijk
Indriðason
Priscilla Jolly
Fiction
Rachel Fetherston
Part II: Bodies and Violence
Alicia Carroll
L.T. Meade's The Sorceress of the Strand
Caitlin Anderson
Recursions in Louise Erdrich's The Round House
Malinda Hackett
Olga Tokarczuk's Drive Your Plow Over the Bones of the Dead
Andrew Yallop
Post-Apartheid South African Crime Fiction
Colette Guldimann
Duffy Novels
Bill Phillips
Poso Wells by Gabriela Alemán
Rafael Andúgar
Part III: Epistemologies
Bible as Ecological Crime Fiction
MaKenzie Hope Munson and Kevin Andrew Spicer
Kristopher Mecholsky
Anita Lam
Hsuan Hsu
not Synonymous
Patrick D. Murphy
David Conlon
Noir
Katrin Althans
Part IV: Criminality and Justice
Marta Puxan-Oliva
Crisis in Recent Indigenous Fiction
Rebecca Tillett
Ruth Hawthorn
Felicity Hand
Environmental Ethics and Moral Technology
Anna Kirsch
David Geherin
in Nordic Crimes Series
Leonardo Nolé
Part V: Energy, Globality and Circulation
in Elliott Chaze's Black Wings Has My Angel (1953)
Nathan Ashman
of the American Century in Thomas King's Cold Skies
Alec Follett
Capitalism in Rachel Kushner's The Mars Room
Megan Cole
Valerie McGuire
Perspectives in the Verdenero Collection and Donna Leon's Crime Fiction
Aina Vidal-Pérez
in Rajat Chaudhuri's The Butterfly Effect
Damini Ray
Placing Crime Fiction and Ecology: An Introduction
Nathan Ashman
Part I: Space and Topography
in Rajat Chaudhuri's The Butterfly Effect
Damini Ray
Nathan Ashman
Part I: Space and Topography
- Affect in Peter May's Lewis and Harris Novels
- "The Goshawk Did It": Nature Writing and Detection in Ann Cleeves'
- The Norfolk Saltmarsh: Elly Griffiths and Place in Contemporary Crime Fiction
- The Big Deep: The Ecological Turn in Nordic Noir
- Aesthetic Imaginaries of Nature and Nationhood in the Works of Arnaldur
- Unsettlement, Climate and Rural/Urban Place-Making in Australian Crime
- Pest Control: "Wasp Season" in Agatha Christie's "The Blue Geranium"
- Green Machinations: Unknown Poison, Ecology and Female Criminal Agency in
- "Scorched Earth": Transgressive Bodies, Historic Criminality, and Colonial
- "Animals Taking Revenge": Imagining Murder as an Ecological Encounter in
- Protecting the Rhinos and Our Young Democracy: Nature and the State in
- "Look at Mother Nature on the Run": 'The Troubles' in Adrian McKinty's Sean
- Environmental Crime and the Dialectics of Slow and Divine Violence in
- "Holmes, that's some Santa Claus shit": Reading Lydia Millet's A Children's
- John D. MacDonald and the Advent of Ecocrime Fiction
- Choking to Death: True Crime and the Great Smog
- "Every Crime Has its Peculiar Odor": Detection, Deodorization and Intoxication
- In Paolo Bacigalupi's Environmental Science Fiction, Immoral and Criminal are
- From Crime Scene to Anthropocene in 2010s Argentinian Narrative
- Ecologemes in Contemporary Australian Crime Fiction: The Case of Outback
- Revising Crime in Fiction: An Environmental Invitation
- Criminal Violences: The Continuum of Settler Colonialism and Climate
- Environmental Racism and Post-Katrina Crime Fiction
- Seeking Environmental Justice: Muti in South African Crime Fiction
- A Form of Wild Justice: Carl Hiaasen's Deployment of Carnivalesque
- Environmental Concerns in Carl Hiaasen's Crime Fiction
- New Energy, Old Crime: Forms of Individual and Collective Responsibility
- "It Tasted Like Gasoline": The American Roman Noir and the Oil Encounter
- Oil and the Hardboiled: Petromobility, Settler Colonialism and the Legacy
- "The Whole World...Was a Gigantic Prison": Climate Crisis and Carceral
- Reading Donna Leon as Mediterranean Noir
- The Circulation of Global Environmental Concerns: Local and International
- Magic Seeds and The Living Dead: Investigating Transnational Eco-Crimes
Terry Gifford
The Crow Trap
Ian Kenny and Irina Souch
Nicola Bishop
Michael Hinds and Tomas Buitendijk
Indriðason
Priscilla Jolly
Fiction
Rachel Fetherston
Part II: Bodies and Violence
Alicia Carroll
L.T. Meade's The Sorceress of the Strand
Caitlin Anderson
Recursions in Louise Erdrich's The Round House
Malinda Hackett
Olga Tokarczuk's Drive Your Plow Over the Bones of the Dead
Andrew Yallop
Post-Apartheid South African Crime Fiction
Colette Guldimann
Duffy Novels
Bill Phillips
Poso Wells by Gabriela Alemán
Rafael Andúgar
Part III: Epistemologies
Bible as Ecological Crime Fiction
MaKenzie Hope Munson and Kevin Andrew Spicer
Kristopher Mecholsky
Anita Lam
Hsuan Hsu
not Synonymous
Patrick D. Murphy
David Conlon
Noir
Katrin Althans
Part IV: Criminality and Justice
Marta Puxan-Oliva
Crisis in Recent Indigenous Fiction
Rebecca Tillett
Ruth Hawthorn
Felicity Hand
Environmental Ethics and Moral Technology
Anna Kirsch
David Geherin
in Nordic Crimes Series
Leonardo Nolé
Part V: Energy, Globality and Circulation
in Elliott Chaze's Black Wings Has My Angel (1953)
Nathan Ashman
of the American Century in Thomas King's Cold Skies
Alec Follett
Capitalism in Rachel Kushner's The Mars Room
Megan Cole
Valerie McGuire
Perspectives in the Verdenero Collection and Donna Leon's Crime Fiction
Aina Vidal-Pérez
in Rajat Chaudhuri's The Butterfly Effect
Damini Ray