The Routledge Handbook of Music and Migration (eBook, PDF)

Theories and Methodologies
Redaktion: Gratzer, Wolfgang; Scheiblhofer, Susanne; Präger, Ulrike; Grosch, Nils

• Format: PDF

Produktbeschreibung

The Routledge Handbook of Music and Migration: Theories and Methodologies is a progressive, transdisciplinary paradigm-shifting core text for music and migration studies. It foregrounds the mobile potentials of music and presents key arguments about why musical expressions matter in the discussion of migration politics.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 576
• Erscheinungstermin: 31. Oktober 2023
• Englisch
• ISBN-13: 9781000954951
• Artikelnr.: 69052942

Autorenporträt

Wolfgang Gratzer is an Austrian musicologist and Professor of Musicology at the University Mozarteum Salzburg, Austria. Nils Grosch is Professor of Musicology and Head of the Department of Art, Music, and Dance Studies and the Research Center for Musical Theater at the University of Salzburg, Austria. Ulrike Präger is Assistant Professor of Music at the University of Louisville, US. Susanne Scheiblhofer is a researcher and instructor at the University of Salzburg, Austria.

Inhaltsangabe

1. Introduction

2. Key Terms

3. THEORETICAL AND METHODOLOGICAL APPROACHES TO MUSIC AND MIGRATION

3.1 Enacting and Embodying Mobile Voices: "Musicking as a Tool for (Ethnographic) Migration Research

3.2 Multi-Perspective Research in Musical Migration Contexts

3.3 Musicological Research with Refugees: Theoretical and Ethical Considerations

3.4 Musical Ethnography: Researching and Representing Migration, Expressive Culture, and Politics of Belonging

3.5 Polyphonic History: On Histoire Croisée as a Method of Musicological Exile and Migration Research

4. MOBILITY IMPULSES AND KINETIC MOMENTUMS

4.1 Music and Cultural Mobility

4.2 Music and Urban Migration: The City, Mobile Ethnography and Affective Citizenship

4.3 Between "Return Mobilities" and the Hope for an End to Exile: Musicology and Remigration Research

5. AFTER MIGRATION: INTERACTION, INCLUSION, AND PARTICIPATION

5.1 Music Making by Migrants from the Perspective of Sociological Integration Studies

5.2 Displaced Humanity on the Move: Rights, Needs, and Future Directions for Music

5.3 Musical Activities in the Acculturation Processes of Children and Adolescents with Migration Experiences

6. POSTCOLONIAL AND TRANSCULTURAL PERSPECTIVES ON MUSIC AND MIGRATION

6.1 Perpetual Transformation: Translating Music into New Spaces

6.2 Media, Migration, and Music: Methodological and Theoretical Perspectives

6.3 Writing for Change: Critical Perspectives in Artistic and Scholarly Practices as Calls to Action

6.4 Music - Gender - Migration: Topics, Research Fields, and Methods

6.5 Music and Entrepreneurship: Perspectives from Migrant Business Research

Rezensionen

'The essays in The Routledge Handbook of Music and Migration are remarkable for the ways in which they take account of the historical longue durée of unraveling the simple truths about the differences that arise when human beings, individually and collectively, move from one place of residence to another place, which may or may not offer residence. In the entries and chapters that fill this volume, we encounter truth under many names, more rather than fewer, as the culture of common differences previously made some of us believe... The paths along which simple truths unravel in this volume owe much to the ways in which the contributors have taken the power of music to expose the multiple layers of meaning in the human experience of migration, past, present, and future. Musical meaning in this sense is different from simple truth because it insists there is more to the reality of migration than accommodation. The contributors to The Routledge Handbook of Music and Migration muster the eloquence of evidence from the confluence of concerted theory and method to open new possibilities for listening to the voices of the migrants in a modern world troubled and unsettled. To read the essays in this volume is to hear those voices anew, and to recognize the necessity of joining the contributors in a call to action in which truths are powerful only upon becoming uncommon.'

Philip V. Bohlman, Ludwig Rosenberger Distinguished Service Professor in Jewish History, Music and the Humanities, University of Chicago