The Routledge Handbook of Urban Cultural Planning (eBook, ePUB)
Redaktion: Amirtahmasebi, Rana; Schupbach, Jason
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The Routledge Handbook of Urban Cultural Planning (eBook, ePUB)
Redaktion: Amirtahmasebi, Rana; Schupbach, Jason
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This book provides a manual for planning for arts and culture in cities, featuring chapters and case studies from Africa, the Americas, Australasia, the Middle East, South and East Asia and more. It will be an invaluable resource for city planners and designers seeking to integrate creativity and culture into urban planning.
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This book provides a manual for planning for arts and culture in cities, featuring chapters and case studies from Africa, the Americas, Australasia, the Middle East, South and East Asia and more. It will be an invaluable resource for city planners and designers seeking to integrate creativity and culture into urban planning.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Erscheinungstermin: 30. Dezember 2024
- Englisch
- ISBN-13: 9781040223925
- Artikelnr.: 72269252
- Verlag: Taylor & Francis
- Erscheinungstermin: 30. Dezember 2024
- Englisch
- ISBN-13: 9781040223925
- Artikelnr.: 72269252
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Rana Amirtahmasebi is an economic development and cultural planning strategist and researcher. She is the founder of Eparque Urban Strategies in New York and previously worked at the World Bank, Aga Khan Programme on Islamic Architecture at MIT and several other entities. Jason Schupbach is the dean of the Westphal College of Media Arts & Design at Drexel University. He is a nationally recognized expert in the role that arts and design play in improving communities.
0.1 Foreword: Culture is our Super Power 0.2 Introduction: Urban Cultural
Planning Now: Some Thoughts and Executive Summary Section 1: Belonging in
the City: Arts and Planning for Equity/Social Development 1.1. Cultural
Planning, Cultural Policy, and the Civic We 1.2. Creative Placemaking's
"Long Tail" 1.3. The Importance of Storytelling to the Individual, the
Community, and its Implications for Public Mental Health 1.4. Place,
Cultural Planning, and Immigration in Australia 1.5. Civic Imagination: An
Artist Offers Ten Proposals Section 2: Planning For and With Culture in
Urban Planning 2.1. Cities for the Imagination (Or, Seven Provocations on
Potential Futures for Urban+Creative Practices) 2.2. Reflections on NYC's
First Cultural Plan: A Conversation Between Eddie Torres and Tom
Finkelpearl 2.3. Cultural Districts and Cultural Policy 2.4. Cultural Asset
Mapping in Urban Communities 2.5. Identity and Place Attachment in Cultural
Planning 2.6. Transforming Communities: Addressing Housing Instability
through Art, Advocacy, and Collective Action 2.7. Painting a Strategy,
Dancing a Meeting: What Can the Arts Lend to Transit Planning? Section 3:
Creative and Cultural Industries and Global Tourism Planning 3.1. The
Creative Economy So Far in the 2000s 3.2. A Glance in Brazil: Creative
Economy Policies Aimed at Mitigating the Effects of the Pandemic 3.3. Night
Time Economy: From Cinderella Policy to a Global Movement 3.4. The Making
of a Music City: Catalysts, Approaches, Benefits and Challenges of
Enactment 3.5. From Wellington to Wellywood: Mapping the Emergence of a
Global Screen Production Hub 3.6. World Design Capital 2024 San Diego -
Tijuana: Preparing a Region for a Global Designation by Owning Your
Foibles, Warts and Scars Section 4: Financing Arts and Culture - For What
Goal? 4.1. The Eight Pillars of American Cultural Policy 4.2. Artists as
Allies in Economic Justice 4.3. Financing A Diverse Future through
Community Ownership 4.4. Culture, Community, Equity, Belonging 4.5.
Cultural Land Trusts as an Emerging Solution to the Arts Space Crisis 4.6.
Reimagining the Cultural District: From Economic Transaction to Collective
Cultural Thriving Section 5: Cultural Institutions and Buildings, Public
Space and Public Art 5.1. The Future is Promised to No One: On Museum
Precarity, Adaptability & Sustainability 5.2. Museums: Growth, Crises and
Prospects 5.3. Transformative Urban Regeneration in Victoria Yards 5.4.
Case Study: How We Created the World's First Publicly Accessible Art
Storage Facility 5.5. "Practicing in Public" Section 6: How the Past
Informs Our Future: Heritage Planning 6.1. The Preservation of Urban
Heritage. A New Frontier for the Governance of Cultural Assets. Lessons
from Latin American World Heritage Sites 6.2. Site-Based Pedagogies:
Connecting Heritage Education and Critical Heritage Practice 6.3. Heritage
as a Way to Interpret and Inhabit the Territory 6.4. Urban Heritage
Conservation and Revitalization on Japan's Shrinking Society: A Challenge
to the Picturesque Historic Port City of Onomichi Section 7: Culture and
the Climate Crisis 7.1. Sustainable Development in Cultural Districts, a
Research Report Exploring Practices of Ten Cities Around the World 7.2.
Integrating Culture and Disaster Risk Management in Urban Planning for more
Resilient Societies 7.3. The Cultural Dimensions of Climate Change: An
African-Indigenous Framework 7.4. A Feral Commons: Methodologies for
Commissioning Sustainable Public Art 7.5. Conservation Regulations and
Urban Planning in Climate Change Era Section 8: In Closing 8.1. Communities
Deserve Creative Outlets: A Conversation Between Chair Dr. Maria Rosario
Jackson and Senior Advisor Jen Hughes of the National Endowment for the
Arts on Artful Lives and Equitable Community Development
Planning Now: Some Thoughts and Executive Summary Section 1: Belonging in
the City: Arts and Planning for Equity/Social Development 1.1. Cultural
Planning, Cultural Policy, and the Civic We 1.2. Creative Placemaking's
"Long Tail" 1.3. The Importance of Storytelling to the Individual, the
Community, and its Implications for Public Mental Health 1.4. Place,
Cultural Planning, and Immigration in Australia 1.5. Civic Imagination: An
Artist Offers Ten Proposals Section 2: Planning For and With Culture in
Urban Planning 2.1. Cities for the Imagination (Or, Seven Provocations on
Potential Futures for Urban+Creative Practices) 2.2. Reflections on NYC's
First Cultural Plan: A Conversation Between Eddie Torres and Tom
Finkelpearl 2.3. Cultural Districts and Cultural Policy 2.4. Cultural Asset
Mapping in Urban Communities 2.5. Identity and Place Attachment in Cultural
Planning 2.6. Transforming Communities: Addressing Housing Instability
through Art, Advocacy, and Collective Action 2.7. Painting a Strategy,
Dancing a Meeting: What Can the Arts Lend to Transit Planning? Section 3:
Creative and Cultural Industries and Global Tourism Planning 3.1. The
Creative Economy So Far in the 2000s 3.2. A Glance in Brazil: Creative
Economy Policies Aimed at Mitigating the Effects of the Pandemic 3.3. Night
Time Economy: From Cinderella Policy to a Global Movement 3.4. The Making
of a Music City: Catalysts, Approaches, Benefits and Challenges of
Enactment 3.5. From Wellington to Wellywood: Mapping the Emergence of a
Global Screen Production Hub 3.6. World Design Capital 2024 San Diego -
Tijuana: Preparing a Region for a Global Designation by Owning Your
Foibles, Warts and Scars Section 4: Financing Arts and Culture - For What
Goal? 4.1. The Eight Pillars of American Cultural Policy 4.2. Artists as
Allies in Economic Justice 4.3. Financing A Diverse Future through
Community Ownership 4.4. Culture, Community, Equity, Belonging 4.5.
Cultural Land Trusts as an Emerging Solution to the Arts Space Crisis 4.6.
Reimagining the Cultural District: From Economic Transaction to Collective
Cultural Thriving Section 5: Cultural Institutions and Buildings, Public
Space and Public Art 5.1. The Future is Promised to No One: On Museum
Precarity, Adaptability & Sustainability 5.2. Museums: Growth, Crises and
Prospects 5.3. Transformative Urban Regeneration in Victoria Yards 5.4.
Case Study: How We Created the World's First Publicly Accessible Art
Storage Facility 5.5. "Practicing in Public" Section 6: How the Past
Informs Our Future: Heritage Planning 6.1. The Preservation of Urban
Heritage. A New Frontier for the Governance of Cultural Assets. Lessons
from Latin American World Heritage Sites 6.2. Site-Based Pedagogies:
Connecting Heritage Education and Critical Heritage Practice 6.3. Heritage
as a Way to Interpret and Inhabit the Territory 6.4. Urban Heritage
Conservation and Revitalization on Japan's Shrinking Society: A Challenge
to the Picturesque Historic Port City of Onomichi Section 7: Culture and
the Climate Crisis 7.1. Sustainable Development in Cultural Districts, a
Research Report Exploring Practices of Ten Cities Around the World 7.2.
Integrating Culture and Disaster Risk Management in Urban Planning for more
Resilient Societies 7.3. The Cultural Dimensions of Climate Change: An
African-Indigenous Framework 7.4. A Feral Commons: Methodologies for
Commissioning Sustainable Public Art 7.5. Conservation Regulations and
Urban Planning in Climate Change Era Section 8: In Closing 8.1. Communities
Deserve Creative Outlets: A Conversation Between Chair Dr. Maria Rosario
Jackson and Senior Advisor Jen Hughes of the National Endowment for the
Arts on Artful Lives and Equitable Community Development
0.1 Foreword: Culture is our Super Power 0.2 Introduction: Urban Cultural
Planning Now: Some Thoughts and Executive Summary Section 1: Belonging in
the City: Arts and Planning for Equity/Social Development 1.1. Cultural
Planning, Cultural Policy, and the Civic We 1.2. Creative Placemaking's
"Long Tail" 1.3. The Importance of Storytelling to the Individual, the
Community, and its Implications for Public Mental Health 1.4. Place,
Cultural Planning, and Immigration in Australia 1.5. Civic Imagination: An
Artist Offers Ten Proposals Section 2: Planning For and With Culture in
Urban Planning 2.1. Cities for the Imagination (Or, Seven Provocations on
Potential Futures for Urban+Creative Practices) 2.2. Reflections on NYC's
First Cultural Plan: A Conversation Between Eddie Torres and Tom
Finkelpearl 2.3. Cultural Districts and Cultural Policy 2.4. Cultural Asset
Mapping in Urban Communities 2.5. Identity and Place Attachment in Cultural
Planning 2.6. Transforming Communities: Addressing Housing Instability
through Art, Advocacy, and Collective Action 2.7. Painting a Strategy,
Dancing a Meeting: What Can the Arts Lend to Transit Planning? Section 3:
Creative and Cultural Industries and Global Tourism Planning 3.1. The
Creative Economy So Far in the 2000s 3.2. A Glance in Brazil: Creative
Economy Policies Aimed at Mitigating the Effects of the Pandemic 3.3. Night
Time Economy: From Cinderella Policy to a Global Movement 3.4. The Making
of a Music City: Catalysts, Approaches, Benefits and Challenges of
Enactment 3.5. From Wellington to Wellywood: Mapping the Emergence of a
Global Screen Production Hub 3.6. World Design Capital 2024 San Diego -
Tijuana: Preparing a Region for a Global Designation by Owning Your
Foibles, Warts and Scars Section 4: Financing Arts and Culture - For What
Goal? 4.1. The Eight Pillars of American Cultural Policy 4.2. Artists as
Allies in Economic Justice 4.3. Financing A Diverse Future through
Community Ownership 4.4. Culture, Community, Equity, Belonging 4.5.
Cultural Land Trusts as an Emerging Solution to the Arts Space Crisis 4.6.
Reimagining the Cultural District: From Economic Transaction to Collective
Cultural Thriving Section 5: Cultural Institutions and Buildings, Public
Space and Public Art 5.1. The Future is Promised to No One: On Museum
Precarity, Adaptability & Sustainability 5.2. Museums: Growth, Crises and
Prospects 5.3. Transformative Urban Regeneration in Victoria Yards 5.4.
Case Study: How We Created the World's First Publicly Accessible Art
Storage Facility 5.5. "Practicing in Public" Section 6: How the Past
Informs Our Future: Heritage Planning 6.1. The Preservation of Urban
Heritage. A New Frontier for the Governance of Cultural Assets. Lessons
from Latin American World Heritage Sites 6.2. Site-Based Pedagogies:
Connecting Heritage Education and Critical Heritage Practice 6.3. Heritage
as a Way to Interpret and Inhabit the Territory 6.4. Urban Heritage
Conservation and Revitalization on Japan's Shrinking Society: A Challenge
to the Picturesque Historic Port City of Onomichi Section 7: Culture and
the Climate Crisis 7.1. Sustainable Development in Cultural Districts, a
Research Report Exploring Practices of Ten Cities Around the World 7.2.
Integrating Culture and Disaster Risk Management in Urban Planning for more
Resilient Societies 7.3. The Cultural Dimensions of Climate Change: An
African-Indigenous Framework 7.4. A Feral Commons: Methodologies for
Commissioning Sustainable Public Art 7.5. Conservation Regulations and
Urban Planning in Climate Change Era Section 8: In Closing 8.1. Communities
Deserve Creative Outlets: A Conversation Between Chair Dr. Maria Rosario
Jackson and Senior Advisor Jen Hughes of the National Endowment for the
Arts on Artful Lives and Equitable Community Development
Planning Now: Some Thoughts and Executive Summary Section 1: Belonging in
the City: Arts and Planning for Equity/Social Development 1.1. Cultural
Planning, Cultural Policy, and the Civic We 1.2. Creative Placemaking's
"Long Tail" 1.3. The Importance of Storytelling to the Individual, the
Community, and its Implications for Public Mental Health 1.4. Place,
Cultural Planning, and Immigration in Australia 1.5. Civic Imagination: An
Artist Offers Ten Proposals Section 2: Planning For and With Culture in
Urban Planning 2.1. Cities for the Imagination (Or, Seven Provocations on
Potential Futures for Urban+Creative Practices) 2.2. Reflections on NYC's
First Cultural Plan: A Conversation Between Eddie Torres and Tom
Finkelpearl 2.3. Cultural Districts and Cultural Policy 2.4. Cultural Asset
Mapping in Urban Communities 2.5. Identity and Place Attachment in Cultural
Planning 2.6. Transforming Communities: Addressing Housing Instability
through Art, Advocacy, and Collective Action 2.7. Painting a Strategy,
Dancing a Meeting: What Can the Arts Lend to Transit Planning? Section 3:
Creative and Cultural Industries and Global Tourism Planning 3.1. The
Creative Economy So Far in the 2000s 3.2. A Glance in Brazil: Creative
Economy Policies Aimed at Mitigating the Effects of the Pandemic 3.3. Night
Time Economy: From Cinderella Policy to a Global Movement 3.4. The Making
of a Music City: Catalysts, Approaches, Benefits and Challenges of
Enactment 3.5. From Wellington to Wellywood: Mapping the Emergence of a
Global Screen Production Hub 3.6. World Design Capital 2024 San Diego -
Tijuana: Preparing a Region for a Global Designation by Owning Your
Foibles, Warts and Scars Section 4: Financing Arts and Culture - For What
Goal? 4.1. The Eight Pillars of American Cultural Policy 4.2. Artists as
Allies in Economic Justice 4.3. Financing A Diverse Future through
Community Ownership 4.4. Culture, Community, Equity, Belonging 4.5.
Cultural Land Trusts as an Emerging Solution to the Arts Space Crisis 4.6.
Reimagining the Cultural District: From Economic Transaction to Collective
Cultural Thriving Section 5: Cultural Institutions and Buildings, Public
Space and Public Art 5.1. The Future is Promised to No One: On Museum
Precarity, Adaptability & Sustainability 5.2. Museums: Growth, Crises and
Prospects 5.3. Transformative Urban Regeneration in Victoria Yards 5.4.
Case Study: How We Created the World's First Publicly Accessible Art
Storage Facility 5.5. "Practicing in Public" Section 6: How the Past
Informs Our Future: Heritage Planning 6.1. The Preservation of Urban
Heritage. A New Frontier for the Governance of Cultural Assets. Lessons
from Latin American World Heritage Sites 6.2. Site-Based Pedagogies:
Connecting Heritage Education and Critical Heritage Practice 6.3. Heritage
as a Way to Interpret and Inhabit the Territory 6.4. Urban Heritage
Conservation and Revitalization on Japan's Shrinking Society: A Challenge
to the Picturesque Historic Port City of Onomichi Section 7: Culture and
the Climate Crisis 7.1. Sustainable Development in Cultural Districts, a
Research Report Exploring Practices of Ten Cities Around the World 7.2.
Integrating Culture and Disaster Risk Management in Urban Planning for more
Resilient Societies 7.3. The Cultural Dimensions of Climate Change: An
African-Indigenous Framework 7.4. A Feral Commons: Methodologies for
Commissioning Sustainable Public Art 7.5. Conservation Regulations and
Urban Planning in Climate Change Era Section 8: In Closing 8.1. Communities
Deserve Creative Outlets: A Conversation Between Chair Dr. Maria Rosario
Jackson and Senior Advisor Jen Hughes of the National Endowment for the
Arts on Artful Lives and Equitable Community Development