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Carnival time in The Rover is a period when prohibitions are temporarily removed, privileges and rank suspended, and women - from convent girls to courtesans - take the initiative. Featuring multiple plot lines, which deal with the adventures of a group of love-struck Englishmen in Naples, Aphra Behn's play explores issues of love, trickery and deception, forced marriage, male power, fidelity, and the excesses of sexual passion. Hers is a male-dominated society, but one with a clear-sighted portrayal of the female predicament. The play is widely taught on A Level courses as well as on…mehr
Carnival time in The Rover is a period when prohibitions are temporarily removed, privileges and rank suspended, and women - from convent girls to courtesans - take the initiative. Featuring multiple plot lines, which deal with the adventures of a group of love-struck Englishmen in Naples, Aphra Behn's play explores issues of love, trickery and deception, forced marriage, male power, fidelity, and the excesses of sexual passion. Hers is a male-dominated society, but one with a clear-sighted portrayal of the female predicament.
The play is widely taught on A Level courses as well as on undergraduate literature and women's writing courses. This new edition contains a completely new introduction, and takes into account important criticism from the past decade, as well as a new understanding of the nature of theatre in Behn's time, and the significance of her contribution to English drama.
Aphra Behn (1640-1689) was a prolific play, novel and poetry writer of the English Restoration and was one of the first female English professional writers. Her plays include The Forced Marriage, The Amorous Prince, The Dutch Lover, Abdelazer, The Town Fop, The Rover, Sir Patient Fancy, The FeignedCourtesans, The Young King, The False Count, The Roundheads, The City Heiress, Like Father, Like Son, The Lucky Chance, and The Emperor of the Moon.
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