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Chesterton again allows us to accompany Father Brown, preternaturally-unbiased master of human nature, as he stumbles across another series of murders and mysteries. These stories in this series are not as compact as those in other books, notably "The Innocence of Father Brown," but they have the same magnetic power to draw the reader in. As ever, Chesterton is interested not only in delivering first rate detective stories, but of describing human nature. His characters are flawed and biased, all blind in their own way, which is what makes it so difficult to see the truth that lies before…mehr

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Produktbeschreibung
Chesterton again allows us to accompany Father Brown, preternaturally-unbiased master of human nature, as he stumbles across another series of murders and mysteries. These stories in this series are not as compact as those in other books, notably "The Innocence of Father Brown," but they have the same magnetic power to draw the reader in. As ever, Chesterton is interested not only in delivering first rate detective stories, but of describing human nature. His characters are flawed and biased, all blind in their own way, which is what makes it so difficult to see the truth that lies before them. Father Brown, ever kind and imperturbable, nearly always sees right through to the heart of the matter. Posing as a humble parish priest, which he is, he somehow sees beyond the class boundaries which it is Chesterton's special gift to point out and puncture.

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Autorenporträt
Gilbert Keith Chesterton, (29 May 1874 - 14 June 1936), was an English writer, poet, philosopher, dramatist, journalist, orator, lay theologian, biographer, and literary and art critic. Chesterton is often referred to as the "prince of paradox".Time magazine has observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories-first carefully turning them inside out. Chesterton is well known for his fictional priest-detective Father Brown,[5] and for his reasoned apologetics. Even some of those who disagree with him have recognised the wide appeal of such works as Orthodoxy and The Everlasting Man.[4][6] Chesterton routinely referred to himself as an "orthodox" Christian, and came to identify this position more and more with Catholicism, eventually converting to Catholicism from High Church Anglicanism. George Bernard Shaw, his "friendly enemy", said of him, "He was a man of colossal genius."[4] Biographers have identified him as a successor to such Victorian authors as Matthew Arnold, Thomas Carlyle, Cardinal John Henry Newman, and John Ruskin. Chesterton was born in Campden Hill in Kensington, London, the son of Marie Louise, née Grosjean, and Edward Chesterton.[8][9] He was baptised at the age of one month into the Church of England,[10] though his family themselves were irregularly practising Unitarians.[11]According to his autobiography, as a young man Chesterton became fascinated with the occultand, along with his brother Cecil, experimented with Ouija boards.