83,95 €
83,95 €
inkl. MwSt.
Sofort per Download lieferbar
payback
42 °P sammeln
83,95 €
83,95 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
42 °P sammeln
Als Download kaufen
83,95 €
inkl. MwSt.
Sofort per Download lieferbar
payback
42 °P sammeln
Jetzt verschenken
83,95 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
42 °P sammeln
  • Format: PDF

The Science Fiction Film in Contemporary Hollywood focuses on the American science fiction (SF) film during the period 2001-2020, in order to provide a theoretical mapping of the genre in the context of Conglomerate Hollywood. Using a social semiotics approach in a systematic corpus of films, the book argues that the SF film can be delineated by two semiotic squares -the first one centering on the genre's more-than-human ontologies (SF bodies), and the second one focusing on its imaginative worlds (SF worlds). Based on this theoretical framework, the book examines the genre in six cycles,…mehr

Produktbeschreibung
The Science Fiction Film in Contemporary Hollywood focuses on the American science fiction (SF) film during the period 2001-2020, in order to provide a theoretical mapping of the genre in the context of Conglomerate Hollywood. Using a social semiotics approach in a systematic corpus of films, the book argues that the SF film can be delineated by two semiotic squares -the first one centering on the genre's more-than-human ontologies (SF bodies), and the second one focusing on its imaginative worlds (SF worlds). Based on this theoretical framework, the book examines the genre in six cycles, which are placed in their historical context, and are analyzed in relation to cultural discourses, such as technological embodiment, race, animal-human relations, environmentalism, global capitalism, and the techno-scientific Empire. By considering these cycles -which include superhero films, creature films, space operas, among others-as expressions of the genre's basic oppositions, the book facilitates the comparison and juxtaposition of films that have rarely been discussed in tandem, offering a new perspective on the multiple articulations of the SF film in the new millennium.
Autorenporträt
Evdokia Stefanopoulou teaches in the MA program "Film and Television Studies" at Aristotle University of Thessaloniki (AUTH), Greece. She recently completed her postdoctoral research which was funded by the Special Account for Research Grants, AUTH. She has published and presented papers in international conferences about science fiction film and television, embodiment, gender, technoscience and posthumanism.